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Jun 27, 2015 12:32:14   #
PaulDBowen wrote:
According to Cambridge University, the general terminology is that a "teleconverter" is mounted on the rear of the lens and a "teleconversion" filter is mounted to the front of the lens. In both types, there will be some degrading of the image quality and the degree of the degradation usually varies with the price. The cheap ones from China will have a very definite negative effect on image quality. On the other hand, those made by the camera manufacturers can be quite good with only a small negative effective on image quality. Both types work best on prime lens, since they will magnify the softness typically found in the image quality of zoom lens at the long end, but the sharper the lens, the better the results whether prime or zoom.

An advantage of the filter type is no loss of light, so a 2X teleconverter type will lose 2 stops of light (a 100mm f2.8 becomes a 200mm f5.6), while a 100mm f2.8 lens with a 2X teleconversion filter becomes a 200mm, but will still be f2.8.

A disadvantage is the teleconversion filter is rather heavy on the end of the lens and can stress the autofocus mechanism. They are also quite large in diameter as someone else has mentioned.

I have a Canon 1.4X and a Sony 1.7X that will fit on any lens with a 62mm filter size or can be used with a step down adapter ring. Both are very high quality and I use them on a Minolta 135mm f2.8 for low light use and on a Tokina 400mm f5.6 to get extra reach when needed. There is very little loss of image quality with either. Since they can be relatively quickly screwed on to the end of a lens, they do not potentially introduce dust into the camera as a rear mounted teleconverter might during mounting and they can be carried in a coat pocket. I have tried several other teleconversion filters from China and/or Hongkong and results were very poor. I found both the Canon and Sony on Ebay and nobody was bidding on them, so I bid and got both quite cheap. I think the Canon 1.4X went for $0.99 plus shipping and is probably the best buy I have ever made on Ebay. The ones from China, however, would be a bad buy even at $0.99 in my opinion. The camera manufacturer types are rare on Ebay, but based on the two I have, I would definitely consider them. I think the Canon originally sold for over $200 and is no longer made. Sony still makes one that is smaller than the one I have and it sells new for $100 to $200 as I recall, but it is too small to fit on the end of a 300mm-400mm lens with out vignetting, due to the required step up adapter. The larger 62mm one is no longer made.
According to Cambridge University, the general ter... (show quote)


The OP said "TC" that would cover both teleconverter and tele conversion its good to see some posts on this thread from people who seem to know what they are talking about, I suppose that if your lens had internal focusing the weight of the front mount TC would not be an issue to the focus motor, the lens mount might be a problem
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Jun 26, 2015 12:35:35   #
Yes screw on the front teleconverters do exist, they may not work very well but that is a different issue, , they do change the effective focal length, they are a different thing than closeup lens which only change the focus range , I have had and used both , those who pontificate in error on subjects that they know not enough about should avoid criticizing others
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Jun 17, 2015 13:01:27   #
JaiGieEse wrote:
You might wanna look again. After the update, I still had a Photoshop CC 2014 folder, but the only thing in it were third-party plug-ins and presets. Everything else was gone.


Correct -only plug ins
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Jun 17, 2015 12:56:19   #
Frank2013 wrote:
I think under effects in develop module.


The dehaze function is in the develop module of Camera Raw so if you are in Photoshop , one has to go back to camera raw filter in the filter menu of PS (at least on my mac)
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Jun 17, 2015 12:15:03   #
Frank2013 wrote:
Surprised no one is talking about this. Some new added features.


It is claimed that the small font/and icons problem on hi res windows machines has been solved , being a mac user I never had this issue

The defogger in raw converter (used by Bridge and Lightroom) seems useful, there are many 3rd party programs that do a similar job
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Jun 17, 2015 12:09:35   #
karelowe wrote:
You can go to the plugin folder of the 2014 CC Version and do a "copy" of all plugins and then go to the same spot to the 2015 version and paste and you should be good. No looking up numbers. May need to restart PS and on my MacBook Pro had to restart my computer but all worked fine. Paths different for Mac and PC I believe.


This worked fine on my iMac
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Jun 15, 2015 10:59:46   #
SteveR wrote:
Joer....You mention something new to me....turning off VR at high shutter speeds. Could you explain that? Also, at what point should you turn it off? Basically I just leave it on unless it's on a tripod.


VR works by sampling position about 500 times per second so at high shutter speeds (faster than 1/500 th) you get no improvement and in fact I have heard it claimed that VR actually can make it worse
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May 28, 2015 22:40:21   #
campkid3 wrote:
Can you PLEASE give the SPECIFIC/DETAILED steps to accomplish getting larger icons and fonts in ADOBE Photoshop CS6 for us poor souls who are not as proficient as you?



Sorry I think I did in my previous post

In any case
open Photo shop
On the menu bar at the top of the page

select Photoshop/Preferences/Interface
and the Preferences window appears
select "interface" if it is not already selected
in the middle of the window find "Text UI Font size"
select "Large"
quit photoshop and restart it
Voila
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May 27, 2015 19:14:30   #
joer wrote:
Well known by long time PS users. Large is what is too small on my monitor.


Well perhaps well known to some long time PS users, but apparently not to most of the posters on this thread, which is the reason I mentioned the UI setting control, I have been using PS since the very first version but until my recent upgrade to the 27 inch Retina display I have had had no reason to want to change the UI (Adobe speak for Font Size) But in response to your original question With UI set to large and my display at the native 5120 pixels things are quite readable. I would suppose that your unspecified 4K display would be similar
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May 25, 2015 15:22:24   #
Gene51 wrote:
Adobe uses it's own internal font and it is not scalable like the windows system font. You only have a couple of choices, like small, medium and large.


Gene has the right idea
go to Photoshop/preferences/interface/text/UI (user interface) font size/Large on my iMac retina display it helped a lot- not perfect but better
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May 22, 2015 13:16:04   #
BebuLamar wrote:
I know of no lens that can deliver more contrast than the scene. All lenses lose some contrast more or less. The one that loses the least is the better one.


:thumbup: :thumbup: :thumbup:
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May 12, 2015 13:36:06   #
Bloke wrote:
This gets quoted so often on here, and it is very misleading. A jpeg is not an image, any more than a raw file is... Try looking at it without a computer! Both jpeg and raw files are just collections of 1s and 0s, until some software program translates them into a viewable image.

I understand and agree with the concept that jpeg files have been pre-cooked, as it were, and will appear very different to an unprocessed raw file. It's just this idea that jpegs are already an image while raw files are not which needs to be straightened out. They are both just different types of data storage...
This gets quoted so often on here, and it is very ... (show quote)




:thumbup: :thumbup: :thumbup: :thumbup:
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Apr 26, 2015 10:46:58   #
Gene51 Thanks for a response that finally addresses the question. Remember a TC does not change focal length it only magnifies the image, reducing the FOV ( like a crop sensor) If your final image quality if affected by sensor pixilation rather than lens fuzziness then a TC might help, with my D800 and the current 80-400 zoom, IQ is obviously limited by the lens, therefore a TC would not help.. The question is not whether the TC with 80-400 zoom and D800/D810 can produce a usable picture, but rather could one get the same or better result by cropping



Gene51 wrote:
Extenders work best with fast prime telephoto lenses. They are pretty good with fast tele zooms. The 80-400 is neither. At 400mm the quality is barely acceptable. Through an extender on it, sure it will work - but if your intent is to get closer with mm to bet more detail, you're not going to get it. And you will have to contend with more noise from needing higher ISO and slower focusing. Fast primes and pro-level zooms are extremely sharp, so a 5% loss of acuity is manageable but the 80-400 compared to a 400mm prime or even the 200-400 prime isn't even in the same ballpark. Putting a TC on it won't get you what you are looking for.

BTW, what are you using for support of your planned 640mm lens (or longer if you are on a cropped sensor)?
Extenders work best with fast prime telephoto lens... (show quote)
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Apr 16, 2015 10:09:18   #
MT Shooter wrote:
A ball head is pretty much a waste of money on a monopod with ANY lens, and absolutely a waste with a long lens that has a tripod collar. You need a simple tilt head on a monopod as "portrait" mode will be attained via the tripod collar rotation, and "panning" is done with the monopod itself.
Any monopod with a load rating of 11 pounds or more will safely handle your setup. A tilt head from Manfrotto, RRS, Kirk or Shoot will work extremely well with the tripod and they are all lightweight, but the prices will vary by a lot between them.
A ball head is pretty much a waste of money on a m... (show quote)


Amen to the above ball head adds nothing of value
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Mar 11, 2015 19:00:24   #
oldtigger wrote:
The image file has to describe the color and illumination for each of those cells on your 12mpx sensor.
Instead of wondering why the file is 25mb you should be amazed it isn't 250mb.


:thumbup:
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