Gene51 wrote:
It's important to note that not all images contain 14 stops of dynamic range.
That being said, the best way to leverage the dynamic range in your camera is a)shoot 14 bit lossless compress raw, b)use a wide gamut color space in your entire workflow, only converting to sRGB, 8 bit for output, and c)be very precise in your approach to metering. The best would be to use a separate hand-held 1° spot meter, but I find that the spot meter function is sufficient for 98% of the pictures I take. My approach is to first test the threshold of overexposure on the brightest highlights in an image. find a white house with shingles, a pattern or siding, and photograph the side that is in full sunlight. Read the highlight, and use the meter reading +1 stop as your initial exposure. Bracket your shots for more exposure at 1/3 stop intervals. When you have made 6 or so additional exposures, (+1.33, +1.67, +2, +2.33, +2.67, +3), open your raw conveter and see if you can recover highlight information from the brightest shot. If not, try the next lower exposure, and so on, until you reach one where you are satisfied with the amount of detail recovery. This will be your exposure setting for proper highlights. On my camera - D810 - at base ISO I can go +2 stops, and a little less when I boost the ISO higher.
For all intents and purposes, you should be able to get the best exposure possible using this method. It's not perfect, cameras have their limitations, but in terms of getting it right in the camera, it's a good approach that can be used in all situations. Some cameras, like Olympus, Sony and Nikon, now have a highlight protective spot meter mode built in.
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It's important to note that not all images contain... (
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Thanks Gene51.
Best post on the subject so far.
How you posted is precisely how to do things if one has the time.
In a hurry, a plain jane 3 or 5 bracket 14bit RAW 1 stop interval is a photographers best bet.
Shooting sports or other fast changing subject/situation is another matter. For that, one needs to be better at judging a single exposure.