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Apr 4, 2016 16:35:30   #
AlohaBob wrote:
I have a Sony RX100 M3 and a very small Prinz tripod. I would also like to have a GorillaPod or something similar for when it would be advantageous to attach to a tree or door or railing, etc.

I would be using it both indoors and outdoors and would probably also use it to support off-camera flash.

Does anyone have experience with the original GorillaPod? Or a suggestion for something that might be better?


I use a RRS BH-25 on my GorillaPod. It is rated for 8.8 lbs (4.0 kg) which is adequate for my set-up except for my 150-600 mm Tamron and Canon 60D which together weigh in at over 6 pounds.
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Apr 4, 2016 15:44:12   #
I back up immediately on import to a different drive than my originals, then on a daily basis to another drive, and also to Carbonite. I also copy key photos to a thumb drive.

DirtFarmer wrote:
I assume you meant drives (plural). Surely you are backing up to more than one location?
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Apr 4, 2016 10:01:52   #
Silvermeteor wrote:
Canon T3i, 1/160 sec, f/11, EF-S 18-55mm 3.5-5.6 IS kit lens. The ISO was 125 and the lens was mid range at 30mm.


With this camera and lens you could easily have hand held. Then you probably would have been right on for focus.
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Apr 4, 2016 09:52:41   #
Lately noticed recommendations by some hoggers to save files as tiff. In PSCC, the past I saved any photos with layers as psd so that I can go back and easily edit the layers if I am not happy with my jpg outputs or if something needs to be changed to meet the expectations of the photo recipient. For example I make a composite photo directory of the members of our men's club and may need to remove the picture of one member and replace it with another. Easy enough to do by copying the individual jpgs to the "canvas" base and then arranging them alphabetically, etc. Two questions, would tiff files be smaller than psd and would I be able to make composites in tiff?
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Apr 4, 2016 08:27:01   #
lamiaceae wrote:
To me it depends on the subject and use of the print.

Portrait - Matte
Product - Glossy
Auotmobile - Glossy
Landscape earthy - Matte
Landscape Watery - Glossy
High Detail - Glossy
Flowers - Matte or Glossy
Seascape - Glossy
Anything for reproduction: lithography, halftone, etc. - Glossy

I figure and learned, match finish to subject. And there are many finishes between the extremes.


Thanks for some good advice.
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Apr 4, 2016 08:24:51   #
lamiaceae wrote:
To me it depends on the subject and use of the print.

Portrait - Matte
Product - Glossy
Auotmobile - Glossy
Landscape earthy - Matte
Landscape Watery - Glossy
High Detail - Glossy
Flowers - Matte or Glossy
Seascape - Glossy
Anything for reproduction: lithography, halftone, etc. - Glossy
Thanks for some good advice.
I figure and learned, match finish to subject. And there are many finishes between the extremes.
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Apr 3, 2016 15:34:55   #
stan0301 wrote:
Personally I would use luster--combines some of the best elements of both
Stan


I haven't tried luster, but I have tried metallic pearl. I haven't tried it on black and white where I think it might be spectacular.
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Apr 3, 2016 12:21:05   #
Thanks to everyone for your comments. They have been helpful.

mcveed wrote:
I think it depends on the picture being printed. Arty black and whites I always print on matte or watercolour paper. If the colour and the detail are key elements in the picture I print glossy. I never use glare or reflection free glass on a colour print as I find it sucks the life out of the colour. So sometimes the reflections force me to find a different place to hang it. What kind of glass do you use?


I usually buy my frames "off the shelf" with standard glass. Do not use non reflective.
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Apr 3, 2016 10:39:01   #
I prefer LRCC to change files to .DNG on import, and at same time save the .CR2 files to my backup drive, thus giving me the best of both worlds.
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Apr 2, 2016 22:42:09   #
The Watcher wrote:
It's an adult Sharp-Shinned. Here's a front view of one.


Great photo, but I am pretty sure that it is an immature. In "Birds of New York State" by Budliger and Kennedy, they say that an adult has red eyes and that an immature has yellow eyes. Also, the adult has red horizontal bars on under parts while the immature has vertical brown streaking on breast and belly.
I've known Bob Budliger for a long time and trust his descriptions which are in greater detail than all of my other bird books.
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Apr 2, 2016 18:19:07   #
orrie smith wrote:
someday you may like to try canvas, they turn out great.


I did try canvas. Used it in a class I taught and then gave it to my granddaughter who loves flowers.

Edit. Will probably do another one since I think I have the right picture for canvas.
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Apr 2, 2016 16:00:37   #
Thanks for the input. I think I will probably stick with the matte finish. I have tried pearl and some of the other lusters, but except in special case I think I will go along with you guys suggestions.
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Apr 2, 2016 13:13:55   #
I submit work to a charity art show. I usually provide framed matte finished prints, but I wonder if I should be providing Glossy instead. (All my prints are done professionally by McGreevy Pro Lab, a local service in Albany, NY. They do a great job at reasonable prices.) McGreevy is the one who recommended matte finish. I would appreciate advice from those of you who display and sell prints.
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Apr 2, 2016 10:05:21   #
A. J. wrote:
It is a Sharp-shinned Hawk, note the rounded forehead and the course breast spots; this is a youngster.
A Coopers would have a flat forehead and finer breast streaks.
Examples below.


I agree with A.J. This should put to rest speculation about it being anything else.
BTW, just saw a red phased screech-owl. Got a few photos. Will be checking it out again next week and hope to find it in a better location for pictures. Will post a photo soon.
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Apr 1, 2016 19:40:19   #
lukevaliant wrote:
wf2b is right i think , it is a sharp shinned


Thank you. They are more common than Cooper's. It is most likely an immature. They occasional come to my bird feeders to try and get a bird meal.
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