Ugly Hedgehog - Photography Forum
Home Active Topics Newest Pictures Search Login Register
Posts for: kotography4u
Page: <<prev 1 2 3 4 5 6 next>>
Nov 7, 2023 11:51:08   #
cpl3 wrote:
PM sent.


I am in process of posting an ad for a mint condition Nikon AF-S Nikkor 16-35 f/4G ED VR Zoom lens right now, as well as for a NIKON AF-S NIKKOR 28-300mm f/3.5 – 5.6G ED VR LENS (US Model, with factory booklet), Lens hood and Hoya UV filter included, if you're interested. Contact me through UHH or at kotography4u@gmail.com or 301-404-6532 cell.
Thanks

Kevin
Go to
Oct 29, 2023 09:34:45   #
Burkley wrote:
I have a few Nikon lenses that I no longer use. I hate for good equipment to just sit while someone else could enjoy it. All are in excellent shape. Which companies are currently paying well while offering good service? I haven’t seen this on a UHH thread for a year or two.


Also if you post a description of the items you want to sell, you may get some offers that would be a win-win?
Go to
Oct 26, 2023 11:44:47   #
I shot a wedding over the weekend which had some blurry images that I thought were due to malfocus. On closer examination there appeared to be "smearing" of the image, so I've concluded that it was from using a 28-300 lens and not holding the long lens steady enough or bumping up the ISO which would have permitted a fasted shutter speed. I couldn't see the blurriness in the LED on the back, and only spotted it on the computer screen. Live and learn.
Go to
Aug 23, 2023 10:58:41   #
47greyfox wrote:
You mention in the original post that when you returned the SD card to the camera that the new images didn’t show up? I’m not familiar with OM cameras but am assuming you can transfer photos by connecting a usb camera from the camera to your computer. Try that…. If that doesn’t work, put the card in a card reader or sd slot on your computer. If you’re on a pc, configure “windows explorer” so you can view hidden files, and look around. If nothing shows up that wasn’t there before, try a program like “recuva.” That’s all I got… good luck.
You mention in the original post that when you ret... (show quote)


Possible that your camera takes/has 2 SD slots and 2 SD cards, and you took out the wrong one?
Go to
Nov 20, 2022 16:24:19   #
xtoothdr wrote:
The one thing you might try solved my problem in similar situation
There are 2 cables that look identical but in fact are totally different. Make sure you are using a DISPLAY PORT CABLE...
Good luck


What's the other that looks similar/identical? Is it Thunderbolt?
Thanks
Go to
Nov 19, 2022 14:40:02   #
hpucker99 wrote:
Are you sure hitting F2 is correct. One of the responses had a link to an article that says:

"Trigger Target Display Mode
Turn on both the iMac and the PC, then hold Cmd + F2 or Cmd + Fn + F2 on the iMac keyboard to trigger Target Display Mode. In a few seconds, you should be able to see the screen of your PC mirrored on the iMac."

Did you try this keystroke combination?


Thanks - I did try the Cmd+F2, but hadn't seen suggested the Cmd+Fn+F2 - I'll try it and post result
Go to
Nov 17, 2022 15:14:58   #
Hi All - I have a 27" mid-2011 iMac i7 with 16GB RAM running High Sierra that I'm trying to use as a second display with a new PC whose video card has only HDMI (2) and Displayport (2) video connectors (GIGABYTE AORUS GeForce RTX 3060 Ti ELITE 8GB GDDR6 PCI Express). The instructions I've seen online for using the iMac as a second display are mostly for using an iMac as a target (secondary) display with another Mac as primary (not a PC as primary, as I'm trying to do), and using Thunderbolt connectors on both ends. My video card has HDMI and Displayport connectors only. I've tried using both the DisplayPort connection and the HDMI connection on the PC video card, and get nothing on the iMac. Also the instructions online for using the iMac as a "Target Display" say to use the F2 key to activate Target Display mode on the iMac, and this yields nothing (no change on screen). I suspect that that's because it wants two Thunderbolt connectors joining the iMac and another computer, but am just guessing. Anyone have any thoughts, experience or suggestions on a possible solution? Thanks for any help!
Kevin
Go to
Oct 27, 2022 08:32:28   #
Jerry Coupe wrote:
I am planning a trip to Washington DC in mid-November.

I have researched many to the amazing places to see in the metro DC area.

I have also heard that Great Falls National Park northwest of DC is a great area for photography. I will probably have about 3 days outside of time in the metro area. Can you suggest other areas for scenery or even some bird photography? I will most likely rent a vehicle for time outside of the metro area places of interest.

Thanks for you suggestions.
I am planning a trip to Washington DC in mid-Novem... (show quote)


Most residents opine that the Virginia side of Great Falls is more scenic, but MD is also nice. The C&O Canal is pretty as well, all along its several mile path parallel to the Potomac. Fletcher's Boat House sits between the canal and the Potomac, and can afford some nice scenes. Brookside Gardens in Wheaton/Silver Spring is gorgeous. Kenilworth Aquatic Gardens in DC is also beautiful. The architectural lines of the East Wing of the National Gallery of Art are fun to capture, as is the art itself. A lot depends on what you like to shoot.
Go to
Oct 17, 2022 21:27:59   #
Thanks for the clarification - I will give it a try!
Kevin
Go to
Oct 17, 2022 18:39:49   #
DirtFarmer wrote:
If you have trouble getting the Mac catalog to work on the PC, try this:

If you had your Mac create sidecar files, be sure to include them when you transfer data to your PC. If the catalog won't work, start a new catalog and import all the old photos. Having sidecar files will also load the old edits.

If you didn't create sidecar files, try to do them on the Mac if it's still sort of working.

When I got my Mac and transferred the data from my PC, I transferred the catalog from the PC to the Mac and it worked. Have not tried it the other way.
If you have trouble getting the Mac catalog to wor... (show quote)


Thanks for the suggestions! I'll give it a try. You (I) have to look at this as a learning process in order to stay sane...
Go to
Oct 17, 2022 14:13:09   #
CHG_CANON wrote:
Try this download for a Windows10/11 and LR6.14 install. You need to right click the link, and 'save as' the file to your local disk. Then, execute the file from your harddrive when the download is successful.

Windows x64
http://prdl-download.adobe.com/Lightroom/60BA1251F1BC48B8B82B1B63AE8E620E/1552643270580/Lightroom_6_LS11.exe


Paul - I'm writing to let you know that your assistance and suggestion were a bulls-eye - last night I got LR 6.14 installed and it's running, thanks to the download you pointed me to and instructions you gave. I don't know how in the world you knew about or found that URL, but it worked like a charm. Thanks again! [now to try to load and point to the catalog from the iMac onto the just-built PC]
Cheers!
Kevin
Go to
Oct 1, 2022 09:25:42   #
I knew this would be a gold mine of information - thanks so much to you both! I'll report back about success or not. Thanks again!
Kevin
Go to
Sep 30, 2022 17:07:53   #
Hi All - I bought the LR5 disk and installed it on an iMac several years ago and in 2017 upgraded to LR6 via a purchased upgrade download. I still have the LR5 disk and LR6 download upgrade serial numbers. My mid-2011 i7 27" iMac is starting to hiccup and buffer (spinning beach ball is frequent and long), and it spontaneously reboots on its own, so I figured the end is near and built an AMD Rizen 9 PC (running Win10 Pro 64 bit) to start over with Lightroom. Does anyone know how/where to locate a LR6 download that I can install on the new PC and use the earlier-purchased serial numbers with? Is this even possible or is it wishful thinking? Any thoughts, recommendations, or other tips to accomplish this or to circumvent having to buy a subscription would be much appreciated! Thanks in advance to anyone with helpful thoughts...
Go to
Feb 20, 2022 10:59:41   #
E.L.. Shapiro wrote:
This is true and very important. Every time this question arises, I too like to advise certain cautions to avoid any damage to equipment

According to the published specifications, the camera and strobe that OP indicated are compatible in terms of trigger voltage safety, There are, HOWEVER, caveats.

It's best to test the voltage to verify that in this case, the trigger voltage is below 250 VDC.

The Safe-Sync adapter is a good accessory to have on hand if anyone has older flas equiopmt that the wist to I use on currently made digital cameras. Most currently made flas gear has much lower trigger voltage than their predecessors. The Safe Sinc unit can be mounted in the hot shoe be between a Speedlight and the shoe and also has an outlet for a stand PC synchronization cord.

In one of the attached images, you can see how the voltage reading is made. The Buff unit in question probably has a 4/" audio or phone plug style of synch outlet. A simple adapter cord was made to enable the use of an H-type such cord. This also provides a convenient way to test for the trigger voltage. The unit has to be turned on and read to flas when the reading is mand. Also remember that the is not the operating voltage of the flaunt, which can be several hundred volts under high capacitance. This is the current coming through the trigger circuitry. The synchronization system in your camera acts as a light switch that completes the circuit and triggers the flash.

Voltages that exceed the camera's specification will not "blow up " the camer- it will not explode or electrocute the photograher. It will, however, cause damage to the camera's synchronization system and other electronics with the camera body. Also pictured is the Safe-Synch which reduces the current to a camera-safe level.

As for the adaptation of a generic softbox to you s the strobe. A mechanical metal adapter can be made to secure any softbox to most units. The caveat here is not only the mechanical attachment but the position of the flash tube/reflector of the unt within the box. Someof the lig shod be able to reflect off the sides and back of the box. Usually, with most helical flash tubes, more light is emitted from the sides of the tun than from the front. If the tube is too recessed in the adaptation so that insufficient light strikes the SIDES of the inside the box, you are losing light volume and ample diffusion. If the side of the tube is recessed and most of the light is coming from the front of the tube, you are losing the benefit of soft light reflecting from the inside sides of the box. In effect, you are just placing a diffuser (scrim) in form of a strobe. Just make certain that the flash tube is placed well in the box or use a softbox where the entire unit is enclosed in the box. There is a softbox where the strobe is placed through a zipper or Velcro-equipped slit of flap at the bottom of the modifier. If the reflector on the strobe can not be removed, aim the unit at the back of the box with some light striking the sides so you will get full benet of the softbox's efficiency and maximize the degree of diffusion.
This is true and very important. Every time this ... (show quote)


Thanks so much for your detailed reply - I have never made "friends" with Mr. Electricity, so we keep each other at arms' length and your explanation and the pics will help me to venture into this area (with some trepidation, but I really don't want to short out my beloved D750 in the blink of an eye when it could have been avoided with precautions)
Go to
Feb 18, 2022 18:27:33   #
Hi All - I have an old Paul C. Buff White Lightning 10,000 (looks like a white coffee can) that works well as a slave triggered by another flash. I'd like to use the White Lightning as a master flash. I recently took a studio lighting course that shows the great effects a large softbox can create. Paul C. Buff says they no longer make an adapter to connect the strobe to a softbox, so I am wondering if anyone here has ideas/suggestions on how to connect and use the White Lightning with a softbox? If I connect it to a softbox, will the WL still be able to "see" another flash to be triggered (since it will be covered by the semi-opaque softbox)? I have heard that connecting the camera (Nikon D750) to the WL via a cable risks shorting out the camera, since the WL is plugged in to a wall outlet and creates quite a surge of power that may spill back to the camera via the cable. Anyone have ideas about an adapter or connector for the strobe to connect to a softbox, or thoughts about the risks of using a cable from the camera (and if so, what kind of cable to use? Thanks for any thoughts!
Go to
Page: <<prev 1 2 3 4 5 6 next>>
UglyHedgehog.com - Forum
Copyright 2011-2024 Ugly Hedgehog, Inc.