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Posts for: baygolf
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Jun 10, 2015 15:12:25   #
When you replace the SD or CF card and the camera off a light comes on. So I'm wondering even thought you turn the power off there is still some residual power going through the unit - maybe?

robertjerl wrote:
The camera should be off to change the lens. The lens IS gets power from the camera, so with camera off there is no power to IS. Therefore no need for a seperate turn off.
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Jun 10, 2015 11:22:14   #
Thank what I thought, but when I read that article/statement I was wondering why.

Thanks

JPL wrote:
No, just turn off the camera before changing lenses, that is all you need to do.
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Jun 10, 2015 11:19:12   #
I can't remember where I read it, but it was from topic on this site.

Bozsik wrote:
Quote your source. Never heard of that, baygolf.
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Jun 10, 2015 11:15:01   #
No, just in general when you just changing lenses on your camera and it is an IS lens - turn IS of before you remove the lens.

dirtpusher wrote:
on tripod.
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Jun 10, 2015 10:49:52   #
I read that you should turn off the lens IS function when switching lens out on your camera body. Is this correct and why?
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Jun 7, 2015 06:23:21   #
Thanks!
AlMac wrote:
Is your Caps Lock on?
The brush size wont be shown if it is.
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Jun 7, 2015 06:21:42   #
I found out that if you have your "Caps Lock" will cause this problem. So one answer is to make sure that you Cap Lock is off.
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Jun 6, 2015 05:41:55   #
Hi, for some reason when I pressing ], I'm not seeing the brush size increase on the screen. Now the brush size is changing, It's just not displaying on the screen after I'm pressing [ or ] keys . Now the Alt+right click shows the changes on the screen. I know I did something, but I don't know how to get it back. Help please.
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Jun 5, 2015 22:08:43   #
I was just wondering if he should include a flash in his travel gear to Paris? Sometimes you need a full flash not just a fill flash that the camera provides. Any thoughts or comments?

Savaneepiclady wrote:
I am traveling to Paris. I have Canon 70D with the kit len 18-135, 50mm 1.8, 70-300, Sigma 17-50mm and Canon 10-22mm. I would only like to take two lenses. The plan is to take street photography and architecture. . What two lenses would you recommend?
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Jun 5, 2015 09:18:41   #
Before you buy this check on the warranty information for these two products. Most Canon authorized dealers can not sell Canon production substantially under the canon's listed price. This item is $200 under Canons refurbish price for the same item w/ a 1 year warranty. I'm not saying this is not a great deal - "just saying check the facts".

TommiRulz wrote:
Here is link to the Abes of Maine ad
http://www.abesofmaine.com/item.do?item=CNEOSRDT5I18135&id=CNEOSRDT5I18135&&kbid=*

Its the T5i and the 18-135 you wanted for 599
That is better than what I see used.
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Jun 4, 2015 11:56:33   #
I have the same camera body and I would take 18-135mm and the 50mm, but I would put my 10-22mm in my wife's bag. So I would take three lens - one for general, one for low light and one for landscapes
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Jun 3, 2015 23:09:50   #
I would recommend the Canon T5I, not the T5, with the EF-S 18-135mm IS STM lens. I would definitely get the body with this lens in a kit, you'll save about $160 by getting the lens in a kit. Canon Refurbished has it for $800 plus tax:

http://shop.usa.canon.com/shop/en/catalog/refurbished-eos-digital-slr-cameras?intv_id=0&cm_cr=No+Campaign-_-Web+Activity-_-No+Name-_-Widget_CanonCategoryRecommendationWidget_34303-_-Refurbished+EOS+Digital+SLR+Cameras-productNameLink&catalogId=10051&mpe_id=234265&evtype=CpgnClick&storeId=10051&ddkey=http:ClickInfo#facet:-8103697983328210198101108328453105&productBeginIndex:0&orderBy:&pageView:grid&minPrice:&maxPrice:&pageSize:&
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Jun 3, 2015 22:51:06   #
Could you post some pictures.
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Jun 3, 2015 09:34:56   #
LFingar wrote:
"... Nothing wrong with her lens collection, but the fastest one is f/3.5.>>>"


She has a EF-S 17-55mm which is the fixed 2.8 lens.
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Jun 3, 2015 05:46:25   #
amfoto1 wrote:
There is nothing wrong with the flash and no need for any firmware update. You cannot use the on-camera menu to set the flash. But that's just a minor thing. The flash is still fully usable and compatible with the camera. You just need to learn to use the settings on the flash itself, and how to set the camera up to work with it.

The problems here is a basic misunderstanding of how Canon flash works. First thing, turn off Auto ISO, if using it (Auto ISO just makes for more confusion).

This is true... however you need to understand how the flash works in different camera exposure modes...

In any of the auto exposure modes, the camera will still set the exposure based on the ambient light, then the flash is fired as FILL (-1.66 stops typically). You can increase or decrease the flash output by dialing in some + or - FEC (Flash Exposure Compensation), but the camera is still going to want to expose based upon the ambient light it's measuring.

Because of this, your sample shots are mostly being done at too slow a shutter speed and you're seeing subject blur and ghosting from the combination of ambient light and flash, due to the long shutter speed plus the very short instant of the brighter flash. It's like a double exposure, in a sense. Various effects can occur, depending upon which of the AE modes you use - Tv, Av or P - and depending upon how the flash is adjusted (plus or minus Flash Exposure Compensation).

Often the best use of Fill flash and the AE modes is when shooting in relatively bright situations, where shutter speeds are faster and ISOs don't need to be set terribly high.

Switch the camera to M (manual) mode, and it then will treat the flash as FULL... As the primary light source, ignoring ambient light. So long as the flash is the dominant light source, you actually still get an auto exposure. However this time it's the flash's ETTL that's responsible for it (as measured by the camera's metering system).

When using the flash in M, you can use any shutter speed up to the camera's Flash Sync shutter speed... which is probably 1/200 on an SL1. The flash itself will act as sort of a shutter, with it's very brief momentary light output. It's something like 1/720 with most portable flashes. Just be careful of too slow a shutter speed, as you'll again start to record more of the ambient light and will start to see ghosting effects much like you are now.

Often the best use of Manual mode with Full flash is when working in darker situations that would force the camera too use way too slow shutter speeds, too large apertures, too high ISOs if you use any of the AE modes and the camera is trying to set itself per the ambient light conditions.

Change the aperture and ISO in order to have more or less reach with the flash. The distance it can be expected to reach at any given settings is displayed as a range on a scale on the back of the flash. So long as the distance to the subject is within that range (eyeball it or look at the focus scale on your lens), the flash will expose correctly. You still can dial the power of the flash up or down with Flash Exposure Compensations, either for personal preference or to accommodate subject tonalities that are brighter or darker than average (much as you use Exposure Compensation in the AE modes of the camera).

You also can play around with the shutter speed, aperture and ISO to record more or less of the ambient light, in addition to the flash exposure. You might want to do this to make a background darker or lighter, while the flash illuminates the subject themselves.

Those ghost effects that occur when mixing ambient and flash light can be used to show movement. Problem is, if the flash and shutter sync normally, it looks kind of odd because the ghost image ends up in front of the movement. Your flash has "Rear Curtain Sync" mode to correct this... when that's used, the movement blurs will be more correctly behind the subject's direction of movement.

Your flash also has High Speed Sync mode, that allows flash to be used at shutter speeds faster than the native sync speed... all the way up to the camera's fastest 1/4000. This is done by shortening the duration of the flash, though, and it greatly decreases the distance the flash can reach (the shorter distance displays on the scale). So be careful about using HSS. Also, HSS and Rear Curtain Sync cannot be used at the same time.

Best to use direct flash as much as possible, perhaps use a diffuser on it if it's too harsh for your liking (if diffusing it, you'll have to allow for a bit of light lost to the diffuser when looking at the distance estimates). I generally recommend avoiding bounce flash because it introduces a whole bunch of additional variables and greatly reduces the reach of the flash.

Direct flash can also be improved a lot by putting the flash on a bracket and attaching it to the camera with an off-camera shoe cord. This positions the flash higher and off to one side, so that redeye is reduced and any strong shadows are thrown down and behind the subject, in most cases.

Besides diffusers, there are also flash accessories that extend the range of the flash by putting a Fresnel lens in front of the flash, for use with longer telephoto lenses. Better Beamer Flash Xtender is one of these. Because of the greatly increased distance, it's often even more important to put the flash off-camera on a taller bracket when doing this, especially to avoid redeye.

One trick to using flash in either Fill or Full mode is to bias your settings toward over-exposure... work toward the shorter end of the distance range (increase ISO or use a larger aperture if needed). Doing this, the flash will not need to fire as fully to achieve "correct" exposure, so it will recycle much faster. You also can really speed up recycling by using rechargeable batteries (instead of alkalines) and/or by using an auxiliary external battery pack (unfortunately, 420EX needs some slight modification to be able to attach an external pack and it has to be a 3rd party product... Only the 5xxEX series Canon flashes have a socket to connect Canon auxiliary battery pack).

But, the most basic thing is to simply remember that Canon flash set to ETTL is...

FILL in any of the AE modes and...

FULL only when the camera is set to Manual mode.

And that in both modes you actually get some form of auto exposure. Plus, in both modes you can use Flash Exposure Compensation to add or reduce flash power for various reasons.
There is nothing wrong with the flash and no need ... (show quote)


Thanks so much for your input. I have started shooting in manual mode using the the following setting:
Mode: Manual
Shutter: 1/200
Aperture: F4.5
ISO: 400

Now my photos looks a better, but few are coming out with visible noise. Now that I think about this, it only showed up when I changed lens - went from 40mm to 18-55mm - needed to include more (wider)in the picture.

I do have a question - Do you have a preference/recommendation for using "metering mode and AF operation" when using a flash in Full mode?

Once again Thanks for your help!!
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