I need to spend more time in the environs or Moab and less time in SLC!
ewelling wrote:
I need to spend more time in the environs or Moab and less time in SLC!
Either that, or you might want to get to know SLC a little more intimately?
I've been intimate with SLC for all my life! But I've never spent much "quality time" in Moab. I would love to get to know Moab better.
Merlin1300
Loc: New England, But Now & Forever SoTX
Very nice - - I suspect a bit of HDR in the photo ?
Did you HDR a 3 or 5 set series in each Pano Segment (left to right), and then stitch
or Stitch the pano segments together (for each exposure setting), and then HDR the resultant Panos ?
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Whatever - - very well done
Merlin1300 wrote:
Very nice - - I suspect a bit of HDR in the photo ?
Did you HDR a 3 or 5 set series in each Pano Segment (left to right), and then stitch
or Stitch the pano segments together (for each exposure setting), and then HDR the resultant Panos ?
-
Whatever - - very well done
My normal process when making multi-image panoramic images is to stitch raw files in LR, arrive at a .dng image file, then apply whatever adjustments/modifications I decide to make. Generally, the majority of those adjustments (either global or local) will be done within LR, and when a particular 'version' --that may have one set or another of particular qualities/attributes I may be working toward-- has been achieved, that version is exported to PS as a .tif. Returning to LR, I often modify some aspect or another of the image additionally, using whichever or each of the several other applications that will produce what I may be looking for. The result of this (or of these) modifications will likewise be exported to PS, where each of the several separate images are layered, and all (or parts) of these separate layers will be manipulated via selections/masks/layer densities, etc. HDR processes are sometimes used, but it would not be accurate to say an image was simply HDR'ed because layer transparency/density levels are changed, and some portions of a layer may have been eliminated altogether. Frankly, it takes more time to write this out than it does to actually do it, and in fairness, it sometimes inevitably, takes a little time to decide if or what I figure an image might need, so there's a bit of thinkin' time involved as well.
Bottom line --in terms of your actual question(s)-- is: its seven images stitched. Since I shot them with a Fuji X-T2, the raf (raw) files were imported via CaptureOne Fuji Express to a date/title folder on my hard drive. Those 'Fuji X-trans sensor translated' files were then imported into LR, and the steps mentioned above were applied.
Beautiful! What a morning for you.
Merlin1300
Loc: New England, But Now & Forever SoTX
Cany143 wrote:
its seven images stitched. Since I shot them with a Fuji X-T2, the raf (raw) files were imported via CaptureOne Fuji Express to a date/title folder on my hard drive. Those 'Fuji X-trans sensor translated' files were then imported into LR, and the steps mentioned above were applied.
A lot of work - - awesome result !! Well Done
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