bob100 wrote:
I know there is lots of debate on the pro and cons of using a filter on the front of an expensive lens. If you come down on the side of wanting to put a filter on a lens would there be a difference in quality (in this case meaning the least optical harm) between Nikon, B+W, Hoya or other brand filters? For an example if you had a premium piece of Nikon glass like the 105mm f1.4, would you put an NC or UV filter on it and if so, which brand would be the best to use. Thank you for offering your insights on this question.
I know there is lots of debate on the pro and cons... (
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This sudden reluctance to put filters on the front of expensive lenses is puzzling.
An expensive zoom lens could have 15 optical groups = 30 surfaces.
If you already have 30 surfaces, what's 2 more -- provided they are well multi-coated?
That lens by itself is the equivalent of screwing 15 filters together!
Lens manufacturers have been able to conceal the loss of contrast in very complex
lenses though a remarkable bit of sleight-of-hand. Most MTF diagrams are no longer based
on testing wtih bar charts (e.g., USAF 1951), but on a slit lamp test. If you imagine being
in dark room with the door open a crack into a brightly lit room: it's like photographing
that sliver of light.
Now photographing bright cracks is not something we actually do in photography.
But it is a convenient way of getting MTF data---except for the fact that it doesn't
flare the lens the way light entering the lens at an angle does.
The old bar tests were better, bcause you had a white chart with black bars on it -- not
too different than taking a photograph in a room with white walls or outside on a sunny day.
Bright light entering at a high angle causes havoc in a lens.
So there are all these people walking around with extremely expensive zoom lenses,
thinking the lenses are contrasty when they're not. The lens may have "nano-crystal"
coatings (or "11 secret herbs and spices" coatings) --- but 30 surfaces is a lot by any
standard. You're going to get some flare, which reduces contrast.
Of course, if you only looks at image files on an LCD/LED monitor, you might not
notice, since the montor itself is probably only capable of displaying 6 or 7 stops. But
when you encounter a low contrast subject, on an overcast day, the photo will come out
looking blah. Then it will get noticed--but chancers are you'll never suspect your
expensive zoom lens.
It's a good lens right? Well, it's as good as a lens with 30 surfaces can be! It's
well-corrected, just not contrasty.