Bipod wrote:
Smaller format:
Pros--
* Faster lenses (for a given angle of view, e.g.,, a "normal". lens)
Cons--
* More diffraction (for a given f/stop)
* Fewer usable f/stops
* Less maximum depth-of-field (e.g. for a "normal" lens)
* Smaller sensor/film area = less resolution possible
Larger format:
Pros--
* More "pixels"
* Less diffraction (for a given f/stop)
* Higher resolution (for both the above reasons)
* More usable f/stops (for a given angle-of-view lens, e.g, a "normal" lens)
* Hence, capable of greater depth-of-field
Cons--
* Slower lenses (for a given type, e.g., "normal".)
Choices available right now range from 1"x1" digital sensor to 8" x 10" film
(80 times more area). Tradtiionally, these are classified as:
Sub-minature format: below 36 mm x 24 mm
Minature format: 36 mm x 24 mm
Medium format: 120 film (several different frames)
Large format: 4" x 5" and above
You pay your money, you take your choice. There is no single "best" format--
it depends on subject, lighting, location, your style and how you intend to display
or print the image. But the limitations of any given format are real: format matters.
Unfortunately, medium format digital cameras start at about $4500 with DSLRs
starting at about $5000 (body only). That's unaffordable for most photographers.
And large format digital cameras (4" x 5" and larger) are not available--sensors
that big aren't made.
By contrast, a sheet of 8" x 10" film costs about $5 and can be used in home-made
box camera: expensive per shot, but not per camera.
That home-made box camera can shoot at f/64 on its "normal" lens (about 300 mm)
-- with enormous depth-of-field. But a brand new, top-of-the-line, "full-frame" camera
can't (the image would be hopelessly unsharp, so they don't even put f/32
on the focus ring--let alone f/64).
Digital vs. 135 film has good points on both sides. But digital vs. large format film has no
points on the digital side--because there are no large format digital cameras, except in observatory
telescopes.
Large format was the predominant form of photography for over 100 years. Now it is
almost extinct. We shouldn't fool ourselves by pretending this is not a loss. The drop
in quality in landscape photography since the 1970s is very noticable.
Smaller format: br Pros-- br * Faster lenses (for ... (
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