John Gerlach wrote:
Things keep changing for me as I continually evolve my photo techniques I like to use. Though often necessary for wildlife, I use autofocus with AF microadjusted lenses and camera combos and that helps a lot for getting sharp focus. I have found that all of my Canon lenses required some AF microadjustment value between - 3 and - 9 to hit sharp focus, but autofocus still can vary a bit from shot to shot. I use manual focus using the 10X magnified live view image with super results for everything that holds still. And lately, I have heard and tried using autofocus by touching the LCD in live view. I heard that this eliminates the microadjustment problem just like it does on mirrorless cameras. Not having a mirrorless camera yet, I wonder if those that do also find their focus is right on. I ran a small autofocus test where I did five shots by using autofocus on the LCD and manual focus using the magnified live view image and both methods produced the same sharpness. But, I don't want to draw any conclusions from such a small test. Has anyone else testing autofocus in live view and found it to be accurate? I have not seen a compelling reason to use mirrorless yet, but accurate autofocus without having to microadjust autofocus is appealing.
Things keep changing for me as I continually evolv... (
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I am not an autofocus expert. It would be interesting to hear from someone who is.
However, I do know this: all technologies--including manual focus and AF -- have limitations.
All current cameras use passive autofocus -- which can never match the extreme precision of say, laser transits
(which require a reflective target -- a roof prism) or even of X band (and shorter wavelength) radar.
Passive AF isn't just one technology: at least two radically different types are in current use: phase detection and
contrast detection. Many cameras use both. AF is controlled by firmware, and various algorithms are in use.
So the important thing is to know how the AF in your camera works, and to know it's particular limitations.
(On this you will get very little help from your camera manufacturer, who instead will brag about "19-point
autofocus" or whatever.)
In general, AF is likely to have trouble:
* In low-light situations
* With narrower apertures
* In cameras with smaller sensor formats:
* With subjects having little texture (low local constrast)
In some situations, autofocus will fail, and you will need to manual focus.
But first, you'll have to be able to tell that the image is not in focus!
Unfortunately, most DSLRs (and all EVF cameras) have removed optical
focusing aids. That leaves you with only live-view magnification --
hunting around in the seen for some texture to magnify.
All autofocus systems can fail. So you have to have some way to check
the focus. Live-view magnfication is rather cumbersome.
Both phase-detection and contrast-detection work by triangulation.
Therefore, accuracy is limited by the distance between the two sensors.
On current cameras, both beams used by the rangefinder come through
the lens. So they can be no further apart than the diameter of the
aperture,
At f/22, AF is a roll of the dice. Fortunately, depth-of-field is large,
so you probably won't notice the error. But if you were counting
on using all of that depth-of-field, you lose: either the near or far
part of your image will be more blurry than it ought to be.
Compare this to a rangefinder camera (e.g. a Leica), where the ranefinder
window could be three or four
inches from the viewfinder!
Most DLSRs have a semi-transmissive window in the mirror which allows
part of the image to fall on the autofocus sensor. But in mirrorless designs,
the autofocus sensor is located on the image sensor itself, usually on two
opposite edges. But both are limited by aperature diameter.
What you will find satisfactory depends on what you are photographing, and
for what purpose. For example, cinematographers use a tape measure, not AF,
for all scenes involving actors. Why? Because shoot quite frequently with
shallow depth-of-field, and focus mistakes are very costly in film-making.
Even with a digital still cameras, focus mistakes are likely not go get noticed
in the field. Only when you view the image on a monitor (or worse still,
print it) will you say "Dang, it's not in focus!"
Tape measures (and yardsticks) are also common in close-up photography,
because of the extremely shallow depth-of-field.
The trick with AF is knowing when not to use it, because you probably won't
notice when it fails until it is too late to do anything about it.
“The single most important component of a camera is the twelve inches behind it.”
– Ansel Adams