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Beinn Eighe.
Oct 13, 2018 14:23:49   #
R.G. Loc: Scotland
 
This is the north end of a ridge of mountain peaks called Beinn Eighe (File Mountain).

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(Download)

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Oct 13, 2018 17:26:57   #
Linda From Maine Loc: Yakima, Washington
 
Excellent feel of a rugged and windy country, although I admit I see more than a passing resemblance to Mt Saint Helens after she blew Terrific sky!

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Oct 14, 2018 02:50:05   #
R.G. Loc: Scotland
 
Linda From Maine wrote:
Excellent feel of a rugged and windy country, although I admit I see more than a passing resemblance to Mt Saint Helens after she blew Terrific sky!


Thanks for commenting. This area is geologically inert (I hope ) and has been for a long time. I think the main player here has been corrosion.

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Oct 15, 2018 13:01:59   #
Whuff Loc: Marshalltown, Iowa
 
What a gorgeous landscape. Both the photo and the area.

Walt

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Oct 15, 2018 14:04:05   #
R.G. Loc: Scotland
 
Whuff wrote:
What a gorgeous landscape. Both the photo and the area.

Walt


Thank you Walt.

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Oct 16, 2018 13:09:27   #
R.G. Loc: Scotland
 
A re-do with a few tweaks. The mountain's a bit softer than I would like, probably because I had to keep the ISO up due to the wind blowing the vegetation about .

An improvement?

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Original.
Original....
(Download)

Re-do.
Re-do....
(Download)

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Oct 18, 2018 21:57:20   #
ebrunner Loc: New Jersey Shore
 
R.G. wrote:
This is the north end of a ridge of mountain peaks called Beinn Eighe (File Mountain).

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The foreground shows great thought on the part of the photographer. I like that tree on the left. The clouds really add to this composition and the detail in the mountain is fantastic. Has to be viewed in download to get the full effect. Well done.
Erich

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Oct 19, 2018 12:30:26   #
R.G. Loc: Scotland
 
ebrunner wrote:
The foreground shows great thought on the part of the photographer. I like that tree on the left. The clouds really add to this composition and the detail in the mountain is fantastic. Has to be viewed in download to get the full effect. Well done.
Erich


Thanks. There's a small hillock just to the left of where I took this shot, and as little as one or two years ago I would have taken the shot from the top of the hillock, glad of the unobstructed view of the mountain peak. The benefits of foreground interest, natural framing, channels and leading lines have eventually filtered through to me. Now I pay as much attention to those things as I do to the main subjects (mountains etc), circumstances permitting.

PS - there's a slightly improved version above your post.

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Oct 22, 2018 08:39:09   #
fergmark Loc: norwalk connecticut
 
The redo is a big improvement. It looks as though you cropped down into the sky and resized back to the original ratio. I makes the original look as if it were a squashed, and wrong. Its a very nice photo!

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Oct 22, 2018 12:37:57   #
R.G. Loc: Scotland
 
fergmark wrote:
The redo is a big improvement. It looks as though you cropped down into the sky and resized back to the original ratio. I makes the original look as if it were a squashed, and wrong. Its a very nice photo!


Thanks for commenting, Mark, and well spotted. I stretched the re-do vertically because the original was taken from too low down and the angle of view was too oblique. A vertical stretch gives the same perspective as a higher viewpoint would have given. And it needed some selective contrast/clarity/sharpening to lift the softness on the side of the mountain. The original was a bit on the hazy side and some global contrast helped with that, but the mountain needed more, probably because of the distance. Normally you can't depend on sharpening to alleviate softness due to haze, but along with contrast and clarity it gives it that extra touch that makes a big difference. If you limit the extra sharpening to the hazy bits you don't have to worry about textures and fine details getting too gritty or grainy.

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Oct 22, 2018 20:29:19   #
fergmark Loc: norwalk connecticut
 
R.G. wrote:
Thanks for commenting, Mark, and well spotted. I stretched the re-do vertically because the original was taken from too low down and the angle of view was too oblique. A vertical stretch gives the same perspective as a higher viewpoint would have given. And it needed some selective contrast/clarity/sharpening to lift the softness on the side of the mountain. The original was a bit on the hazy side and some global contrast helped with that, but the mountain needed more, probably because of the distance. Normally you can't depend on sharpening to alleviate softness due to haze, but along with contrast and clarity it gives it that extra touch that makes a big difference. If you limit the extra sharpening to the hazy bits you don't have to worry about textures and fine details getting too gritty or grainy.
Thanks for commenting, Mark, and well spotted. I ... (show quote)


Thanks RG. I enjoy your explanations. And a really effective strategy.

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