I don't have that specific Tokina lens (I have the Canon 24-70 instead), but have used some others and might be able to help a little.
Tokina ATX-Pro lenses are quite well made... Some of the more modern ones I've used have reminded me of Canon L-series, with respect to design and materials.
But they have some quirks, too. Tokina lenses' focus and zoom ring operate the opposite direction from Canon (they rotate the same direction as Nikon instead).
Tokina also only uses micro motors in their lenses (there's one exception I know of, a 70-200, but it's not offered in Canon mount). That's slower that Canon USM. (In comparison, Canon uses micro motor focus drive in their cheapest, most entry-level lenses.... STM or "stepper motor" is a step up, faster and very smooth/quiet, ideal for video.... USM or "ultrasonic motor" is even faster, great for sports/action, quiet too, though not as quiet and smooth as STM.... "Nano USM" is the latest focus drive Canon has put in a few lenses, so far, which is both fast like USM and quiet/smooth like STM.)
Tokina uses a "focus clutch" mechanism. To switch between autofocus and manual focus you slide the focus ring slightly forward or backward. It's a neat setup, but different. More importantly, because the lenses are micro motor, the AF setting completely disengages the mechanism, so it's not possible to override AF while it's engaged... the focus ring will turn, but won't do anything. You have to switch to MF to be able to focus manually. This is different from Canon STM and USM drives, which allow "full time manual" focus, to override AF any time without concern. (Canon micro motor lenses need to be turned off at the switch before focusing them manually, to protect the mechanism from damage... same as the Tokina.)
See for yourself how they compare as far as image quality. You can compare test shots done with both lenses side-by-side - at various focal lengths, apertures and on different cameras - here:
https://www.the-digital-picture.com/Reviews/ISO-12233-Sample-Crops.aspx?Lens=993&Camera=979&Sample=0&FLI=4&API=0&LensComp=787&CameraComp=979&SampleComp=0&FLIComp=4&APIComp=0Also at that website you'll find how each lens performs with respect to flare, vignetting, distortion and more. (Note: just be sure to use same format & similar resolution cameras to make comparisons. I selected the ultra-high resolution 5DS at the above link, which is extremely demanding of lenses... a lot more-so than lower resolution cameras. And, of course, lenses will also show less "corner softness" when on a crop sensor camera, if that's how you'll be using it.)
Some of it comes down to personal preference. I know 24-70mm f/2.8 is very popular with wedding photographers, who will generally use it on a full frame camera. I'm not a wedding photographer, but occasionally do some portrait work... but I prefer this focal length range on a crop camera instead of full frame. I guess I just like a "slightly longer" lens for portraits.