fotoman150 wrote:
https://www.barclayvilla.com/
Getting ready shots are 8am. Sparkler exit is at 11:30 pm.
This is one of the better venues I have shot. The landscaping is so nice. The interior is very ornate.
This is a big wedding with 8 BM and GM and two flower girls and one RB. Never seen two flower girls before. The bride has a 15 ft. veil. Should I do the obligatory shot of the groom holding the veil outdoors?
When I scouted it out today the lighting was very dark. Maybe they didn't have all the lights on. I should have explored a little further. I'd like to know how they got so much light in the indoor pics.
I want to duplicate the shot of the bride on the steps. It looks like there is strobe or a speedlite to the left shooting across to show texture in the gown
I have an off camera speedlite with a 16in. soft box on a monopod. Take a look at the gallery and give me your thoughts. Any advice would be appreciated.
We're shooting Canon 5d Mark II and III. I have one other photographer. Each of us has two camera bodies. There is also the videographer whom I've not met.
https://www.barclayvilla.com/ br br Getting ready... (
show quote)
You need to nail down the list of "must have" shots with the couple.
The images on their website have some significant lighting, but it is done very well to just raise the light levels while adding some accents - very tastefully done. Clearly the photographers had an assistant or two.
In the "Royal Setting" shot, I see at least 3, possibly more, speedlights on wireless triggers - to add some light to an otherwise dark room. The two lights in the wall sconces were gelled to come close to the color of the ambient light, but the big stand-mounted light was not.
In the "Beauty and Magnificence" shot, backlight and some front flash fill, high and to the photographer's left, makes this shot.
In the "Once Upon a Time" shot - the lighting is similar to "Beauty" and so on.
A 16" softbox used at a distance of more than a few feet will only cut the amount of light output, causing higher power settings, longer recycle times and shorter battery life. Used at a longer distance, the light is no longer soft and luxurious, becoming harsh and contrasty. Ok for some shots but not for all of them.
To this justice, you'll need help. And if you are using a second shooter, he/she will need help so that the images are consistent.
You'll need duplicate lenses along with the duplicate bodies. Things can and do go wrong. A half dozen speedlights and triggers, CTO gels for the speedlights, large bounce reflectors for the formal posed shots, etc etc etc.
You don't want to travel light - you want to travel prepared.
It won't hurt to take a look at all of the tutorials on this website:
https://neilvn.com/tangents/wedding-photography-tutorials/Good luck!