bsprague wrote:
"It's that simple. Open, Look, Close, nothing. Open, Look, Save, file changes."
No argument with that at all. It is the technical, factual reality.
But artistically or creatively the picture gets less clear. I have stunning (to me!) JPEGs from small sensor cameras and stunning (to me!) RAWs, TIFFs and PSDs.
As do I, Bill!
I also have years of experience in a high volume pro portrait lab where we used an all-JPEG workflow to print millions of images. Images were:
1: saved as Large, Fine JPEGs at the cameras.
2: opened, converted to 12-bits, color adjusted, and saved as 8-bits (same size and low compression).
3: opened and retouched in Photoshop or KPARS (Kodak’s Professional Automatic Retouching Software), then saved at the same size, with less compression.
4: opened and rendered to portrait package “multiple” sheets, and saved as JPEGs into job queues for Noritsu mini-labs.
In blind tests, we could NOT see JPEG deterioration or artifacts in 8x10 test prints made at each stage.
Much angst is shed over JPEG compression artifacts, mosquito noise, jaggies, etc. but I haven’t seen issues with that in any lab workflow. A photo lab is not an Internet ad agency or a shady porn site.
YES, you WILL see that stuff if you compress small size (800x640 pixel dimensions) images at 40:1 for use on a web page, and then stupidly compress those same images more than once.
If you have 2000x3000 or more pixels, saved at maximum quality settings in camera, JPEGs withstand two or three more gentle (10:1 or less) compression saves, and still look good in prints viewed at 1 to 1.5 times their diagonal dimensions.