P.S. Forgot to mention that all of my many Canon lenses are USM---faster & quieter.
Unfamiliar with it but I do have and still use a Canon AE-1 Program I purchased new in the 80s. It performs exceptionally well and has great pictures. Just needs a drop of oil every 6-7 years. Good luck and think you can still enjoy film. However, I also own and use dslrs and high level pocket cameras. The AE-1 is a joy though.
TriX
Loc: Raleigh, NC
regularguy55 wrote:
Unfamiliar with it but I do have and still use a Canon AE-1 Program I purchased new in the 80s. It performs exceptionally well and has great pictures. Just needs a drop of oil every 6-7 years. Good luck and think you can still enjoy film. However, I also own and use dslrs and high level pocket cameras. The AE-1 is a joy though.
Very solid body. I had two AE1-Ps for about 35 years that we’re used when I purchased them. Both were still working fine when I sold them last year.
JennT
Loc: South Central PA
Seriously considering a camera with a focusing motor---
JennT wrote:
Seriously considering a camera with a focusing motor---
No Canon camera have focusing motor. All Canon autofocus lenses have motor built in the lens. Any way the OP no longer responded. I guess when he/she found out that the Rebel K2 isn't a "Really Really Good Camera" the OP got disappointed.
TriX wrote:
Very solid body. I had two AE1-Ps for about 35 years that we’re used when I purchased them. Both were still working fine when I sold them last year.
Second that. AE-1 Program was a fine, mass-market SLR. In the hands of a knowledgeable photographer who understands the limits of automation, and how to take best advantage of it, it's great.
In the hands of the average, untrained, impatient, 1980s high school yearbook photographer, it was one of the worst things that ever happened to that industry! I was teaching at yearbook workshops in the early 1980s. The sudden surrender to, and blind reliance upon automation, was a challenge to educate around.
Actually, it still is...
We had better luck teaching the kids with Pentax K1000s, which were completely manual.
bellgamin wrote:
I have the Canon EOS Rebel K2 SLR film camera in my sights. Used, of course. There are a lot of them at both Ebay & Amazon so -- if I go for this one -- I will have to do a lot of research to raise the odds of buying one in good condition.
There are 2 zoom lens options that interest me -- 28-80mm & 28-90mm. both f3.5-5.6 The spec say that the 80 uses a USM motor to drive the autofocus whereas the 90 uses a DC motor (I have no idea what this means.)
ADVICE PLEASE..... 😇
1- was this a really good camera in its day?
2- if so, which of the 2 zoom lenses should I go for?
I have the Canon EOS Rebel K2 SLR film camera in m... (
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It was a ahh ok camera in its days, like the digital Rebels are these days! (a beginners camera)!
Mr. Burkholder: Very good point about the Canon AE-1 Program which I got for my son, who then just set it on Program and ignored what I tried to teach him about f/stops & shutter speeds.
I should have gotten him the best-seller Canon AE-1 without that Program mode! And, yes, the
Pentax K1000 in those days was a good manual choice and the local college urged their photo class students to buy them.
burkphoto wrote:
Second that. AE-1 Program was a fine, mass-market SLR. In the hands of a knowledgeable photographer who understands the limits of automation, and how to take best advantage of it, it's great.
In the hands of the average, untrained, impatient, 1980s high school yearbook photographer, it was one of the worst things that ever happened to that industry! I was teaching at yearbook workshops in the early 1980s. The sudden surrender to, and blind reliance upon automation, was a challenge to educate around.
Actually, it still is...
We had better luck teaching the kids with Pentax K1000s, which were completely manual.
Second that. AE-1 Program was a fine, mass-market ... (
show quote)
One thing I don't like about the AE-1, AE-1P and A-1 is that when in manual mode you have to look in the viewfinder to find out which aperture the meter suggests and then put the camera down and set the aperture on the lens. There is a reason that Canon calls it "Manual override" and not "Manual".
One general thought to consider is that the camera body is just the box that captures and stores the image. The LENS is the critical factor. I know one pro who has moved up the DSLR scale as needed, but kept the same very good lenses. Buying the most expensive body and a mediocre lens is not as good as buying a starter camera body (which may be fine for what you do) and getting a really decent lens.
radiojohn wrote:
One general thought to consider is that the camera body is just the box that captures and stores the image. The LENS is the critical factor. I know one pro who has moved up the DSLR scale as needed, but kept the same very good lenses. Buying the most expensive body and a mediocre lens is not as good as buying a starter camera body (which may be fine for what you do) and getting a really decent lens.
Exactly. Getting a $75 lens with a $25 camera is a better play than $75 for a camera (especially film) and a lower quality lens for $25. And, an EF lens that can be shared interchangeably between EOS film and digital cameras presents certain longer term options than manual focus lenses.
Not mentioned in this thread so far is Canon's EOS A2E U. S. model, and EOS 5QD for Europe, virtually the same thing, allegedly Canon's most sold film camera of all time. It preceded the EOS 3 and while the 3 was supposed to be a step up, the A2E had eye focus control and shot 10 fps. They are plentiful on ebay and one can be bought for considerably less than the 3 or 1(n)(v)(whatever). My choice of consumer level short zooms is the 35-70 first, 28-90 next, and 28-80 last.
There is a design defect in the A2E in the mode dial. There is a release button and if it isn't pressed prior to turning the dial it will strip the dial gears, which takes almost no effort, and that has happened 1,000s of times and cost about $75 to get it fixed but there is a simple DIY fix that costs virtually nothing and can be found in video on YouTube.com. I prefer the EOS 5QD. I moved from Canon AE-1p to an A-1 then to the A2E, quite a step up. As a hobbyist, I never saw any reason to use any other Canon film camera like the 3 or 1 series. The Elan series was a notch under the A2 and A2E.
rehess
Loc: South Bend, Indiana, USA
radiojohn wrote:
One general thought to consider is that the camera body is just the box that captures and stores the image. The LENS is the critical factor. I know one pro who has moved up the DSLR scale as needed, but kept the same very good lenses. Buying the most expensive body and a mediocre lens is not as good as buying a starter camera body (which may be fine for what you do) and getting a really decent lens.
But as far as I know, Canon hasn't made any 'dogs' in EF mount.
BebuLamar wrote:
One thing I don't like about the AE-1, AE-1P and A-1 is that when in manual mode you have to look in the viewfinder to find out which aperture the meter suggests and then put the camera down and set the aperture on the lens. There is a reason that Canon calls it "Manual override" and not "Manual".
Yeah, I have an A-1. I remember that being annoying.
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