What was your favorite SLR? ... Which is your favorite DSLR? ... How do they compare?
danlsmith wrote:
Topcon Uni, known as the Topcon 100 in the states.. Bought it when I was stationed overseas while in Air Force in 1969. Great pictures, and it had a leaf shutter. I really liked it
I had a Topcon Unirex, a little later than you- same leaf shutter. Limited lens selection, but the fastest electronic flash sync speed (1/500 sec) of any 35mm SLR.
Got mine at Clark AFB.
Chris T
Loc: from England across the pond to New England
GoofyNewfie wrote:
I had a Topcon Unirex, a little later than you- same leaf shutter. Limited lens selection, but the fastest electronic flash sync speed (1/500 sec) of any 35mm SLR.
Got mine at Clark AFB.
That IS fast, Jim ... but, then - easily achieved w/ leaf shutters!!!!
Chris T wrote:
That IS fast, Jim ... but, then - easily achieved w/ leaf shutters!!!!
Now days with HSS/Auto FP it's no big deal.
Chris T
Loc: from England across the pond to New England
GoofyNewfie wrote:
Now days with HSS/Auto FP it's no big deal.
Which dig cams have that setting, Jim?
Chris T wrote:
Which dig cams have that setting, Jim?
RE: HSS/Auto FP....usually the higher end of camera models have it.
Nikon's D7xxx and better.
Not sure which Canon, Pentax, Fuji, Olympus, Panasonic....
You have to have a light that's capable as well.
I agree. The Mamiya rb67 was (is) the best studio camera ever made. Especially when you use their 150mm soft focus lens. I still use my RB with my Phase 1 digital back. I have three of the 150mm sf lenses, just in case they are not available in the distant future.
My favorite are a Nikon FE and an FM with their buttery smooth shutters. My digital is a Nikon DF same shutter feel and real external controls. My other is a Fuji X Pro1. Reminds me of my Leica IIIf
Chris T
Loc: from England across the pond to New England
GoofyNewfie wrote:
RE: HSS/Auto FP....usually the higher end of camera models have it.
Nikon's D7xxx and better.
Not sure which Canon, Pentax, Fuji, Olympus, Panasonic....
You have to have a light that's capable as well.
Jim ... the D7100 has two High Speed Shutter Modes - 1/320 and 1/250 ... that what you mean?
What kind of light, Jim?
Yes, Chris T, I thought the eye focus was a great tool, loved it, and wish Canon had kept it on their DSLRs. Have to admit the digital revolution has tremendous advantages but one of the disadvantages is there are too many options, The simpler you keep it the better I do. One of the best options with DSLRs is the ability to change ISO quickly. In the film days your were stuck with whatever film you had in camera. I often carried two bodies, one with ISO 100 and the other with ISO 400. On rare occasions, for special events, I would use 800 ISO but did not like it.
Chris T
Loc: from England across the pond to New England
MediaWizard wrote:
I agree. The Mamiya rb67 was (is) the best studio camera ever made. Especially when you use their 150mm soft focus lens. I still use my RB with my Phase 1 digital back. I have three of the 150mm sf lenses, just in case they are not available in the distant future.
Oh, I agree, Wiz ... best studio camera ever made - Mamiya RB67 ....
Does your Phase 1 Digital Back fit on the RB, directly, or do you need an adaptor?
Chris T
Loc: from England across the pond to New England
NBBPH wrote:
Yes, Chris T, I thought the eye focus was a great tool, loved it, and wish Canon had kept it on their DSLRs. Have to admit the digital revolution has tremendous advantages but one of the disadvantages is there are too many options, The simpler you keep it the better I do. One of the best options with DSLRs is the ability to change ISO quickly. In the film days your were stuck with whatever film you had in camera. I often carried two bodies, one with ISO 100 and the other with ISO 400. On rare occasions, for special events, I would use 800 ISO but did not like it.
Yes, Chris T, I thought the eye focus was a great ... (
show quote)
Shame they didn't, huh, NB?
Yes, that is the best option on a DSLR ... not only the ability to change it quickly, as the need arises, but the extended ISO capabilities.
In film days ... I was in two minds with color - for negs, I used Vericolor 100 ... for chromes, I used Ektachrome 160 ... B/W - Ilford HP 4 @ 640
That's also the setting I use on my Sony alphas - ISO 640 ... seems to cover everything, admirably ...
Chris T wrote:
Jim ... the D7100 has two High Speed Shutter Modes - 1/320 and 1/250 ... that what you mean?
What kind of light, Jim?
Not really keeping with your subject, but...You can use speeds higher than that...all the way to the shortest...with some limitations.
Speedlights and studio lights have to be capable of firing a rapid pulse... essentially creating a short, but continuous light.
More on that feature
HERE.
Chris T
Loc: from England across the pond to New England
sgt hop wrote:
nikon f for me
Even, now?
Or you just didn't list your DSLR?
Chris T
Loc: from England across the pond to New England
GoofyNewfie wrote:
Not really keeping with your subject, but...You can use speeds higher than that...all the way to the shortest...with some limitations.
Speedlights and studio lights have to be capable of firing a rapid pulse... essentially creating a short, but continuous light.
More on that feature
HERE.
Oh, okay, Jim ... thanks ...
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