bluechris wrote:
When a thread comes to really no conclusion and this thread can go on for many a year, I tell the Hog to go to my flickr page and make your own conclusion as to whether I take pro photographs or not . I am an eclectic photographer and I take my photos that fit my style and if it is considered worthy of the printed page, hooray! Other than that, I do not have infinite patience after the 15th page. I saw many points of view and many valid and insightful and great reading. But, photography is a point of view and how we look at that point of view is as diverse as we are. This can go on to infinity. Let us at this stage that we agree to disagree.
When a thread comes to really no conclusion and th... (
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Blue, first, let me welcome you to the Hog, since you never made an introduction post.
I did go to your Flickr page but there's no need to comment on that, as you asked no question.
But I will comment on MY question and your answer to it.
I was NOT trying to establish the validity or the quality of the work of anybody here!
What I was trying to establish was what common threat do we see in work(images) that by whatever standards represents high end work, of what I would personally hold as professional quality work.
Maybe we should work this in reverse, since forward was obviously WAY to complex for the average photographer to understand.
Let's say that professional quality work is that which is printed in magazines that have professional editors whose job it is to source images worthy of being in print, such as Nat Geo, or Arizona Highways, or sunset magazine or......, you get the idea. Work on places like Flickr does NOT have any sort of vetting process. It could be anything from a first time snapshot to a season Nat Geo pro.
Work that goes into Stock also has no std other than the few criteria that the Sock Agency has assigned such as low noise and low aberrations etc. The purpose of Stock is not to show pretty pictures. It is to sell to anyone that needs an image for any use for which the buyer doesn't want to contract a photographer or take the image themselves. For example, you might snap a snapshot of your BIG TOE, hardly a worthwhile image, but a podiatrist might use it on their brochure. And not because it's any good, it just represents a swollen poorly cared for toe to make his point!
And I'm surprised at how nany immediately proclaim ANY image that's been paid for to be of professional quality.
What we did miss here was an opportunity for those that are capable of assigning the attributes of what are high quality images to do so and those that are not aware of what constitutes high level work to be able to learn what those attributes might be so as to be able to aspire to those.
Show me a guy that says one only has to please oneself, and I'll show you someone who doesn't know a good image from a crappy image.
Blue, thanks for taking the time to contribute, feel free to give it another go around!!!
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