rmalarz wrote:
Setting ISO to 800% or 1000% of what value?
--Bob
Noise can give that sought after film look....., no? LoL
SS
rjaywallace wrote:
Understanding Flash Photography by Bryan Peterson. From Amazon. Kindle version $18, paperback $20.25.
Peterson also wrote the acknowledged ‘bible’ on photography exposure, “Understanding Exposure”
I also have that book. He covers a lot of different techniques. If you go on Amazon, you can do a "Look Inside" and see some of the content. I never used my flash in manual mode until I got his book.
Perhaps you find this useful.
• Flash Photography Techniques - Tangents - Neil van Niekerk
Mondolinni wrote:
Hello Hogs,
Does anyone have a suggestion for "GOOD Instructional Reading" for Indoor Flash Photography?
Flash drives me nuts! I just can't seem to get the correct combination of shutter speed and aperture to work.
I'm either too bright or too dark most of the time.
I am shooting with a Nikon D500, 910 flash, bounce, diffusers, yadda,yadda, yadda!
I just did a church wedding ceremony for a friend, no stress from them, they just wanted a few shots of the church, since the reception would be held out of state with a hired photographer. Some elderly family members couldn't make the trip, so I was asked to get a few shots at the church with those folks. (piece of cake, right)?
I did it, but what a hassle trying to find the right settings, so frustrating.
Thanks for any suggestions.
Hello Hogs, br Does anyone have a suggestion for &... (
show quote)
The Nikon system is excellent, so I would get a book dealing specifically with Nikon flashes.
https://smile.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Dstripbooks&field-keywords=nikopn+flash+photography
Hopefully, I am replying to the person about the flash question. First it must be said that there are many ways to get the result you want. I know what I know and it works. Shoot these flash exposures in manual. Never go above f5.6 It is too much work for the flash. I typically work at f4 or more open. camera set at 1/60. if you sync at less go to rear sync flash. Use your Iso depending on the conditions. bright envorironment, maybe start at 400 or less. dark environment, easily go to 1600 iso. I use a D7200 and there is no noise there. With flash I work with in 15 ft. Ok to use modifiers there. beyond 15ft. take off the modifiers. I only use my Nikon flash on "A." if you need a slight more light, click the + button and it raises the power by a 1/3 each time. To some up:
camera manual
"play" with iso
Flash at "A"
use rear sync below 1/60
I have a ton of samples at
www.delottphoto.com To me, the difference between a pro and amateur, the pro uses his flash.
Nice photos on your site. Good lighting.
delottphoto wrote:
Hopefully, I am replying to the person about the flash question. First it must be said that there are many ways to get the result you want. I know what I know and it works. Shoot these flash exposures in manual. Never go above f5.6 It is too much work for the flash. I typically work at f4 or more open. camera set at 1/60. if you sync at less go to rear sync flash. Use your Iso depending on the conditions. bright envorironment, maybe start at 400 or less. dark environment, easily go to 1600 iso. I use a D7200 and there is no noise there. With flash I work with in 15 ft. Ok to use modifiers there. beyond 15ft. take off the modifiers. I only use my Nikon flash on "A." if you need a slight more light, click the + button and it raises the power by a 1/3 each time. To some up:
camera manual
"play" with iso
Flash at "A"
use rear sync below 1/60
I have a ton of samples at
www.delottphoto.com To me, the difference between a pro and amateur, the pro uses his flash.
Hopefully, I am replying to the person about the f... (
show quote)
Thanks for your input delottphoto
Burtzy
Loc: Bronx N.Y. & Simi Valley, CA
In a situation like you described, the best solution would be to shoot in Programmed mode. The camera would do the calculations for you as long as it is working properly. However, light falls off as the square of the distance and even the best programs have difficulty if the flash subject is in the back ground and there is more light in the foreground. In that situation, you may need to take a shot to see how it looks and then adjust accordingly.
SharpShooter wrote:
Paul, I agree, but he's had problems with bouncing.
A good, well controlled direct flash is better than a poorly done bounce flash without enough light!
He needs to learn to walk before he runs!!! Just saying.
SS
Understood - most of my flash shots are direct, but then I'm shooting performers on stage in a dark theater with black ceilings.
I use TTL flash very often and especially like it in rooms with white (or nearly so) walls and ceiling throwing the light into a walls and ceiling corner which simulates a huge umbrella. Seldom every have any problem with such a situation and the lighting appears to be natural and soft.
A couple of basic things about flash. At full power, the only thing that affects your image is your aperture. Shutter speed makes no difference unless you are using cameras that limit shutter speed to 1/60 or 1/125 because of the traveling “curtain”. Using the wrong shutter speed will cut your picture in half.
Keep in mind that every time you increase the distance from your subject, you have to open up your lens. For instance, if you are shooting at f16 at 5 feet, you have to shoot at f8 when you shoot at 10 feet.
When shooting outside, your aperture is used for proper flash exposure, and shutter speed is used for “ambient” or existing light. So if you have to open your aperture for increased distance to your subject, you need to increase your shutter speed a like amount for proper exposure.
All this was a necessity before the new automatic cameras we have today, and another reason I used to shoot with cameras with between the lens shutters like Roleiflex and Mamiyas. But knowing the basics of flash should help you with your question.
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