pjspix wrote:
Like the title says I have a lot to learn in the digital field.
There is no simple answer to this question, and plenty of zeal in the answers you will hear!
Every camera always creates a raw image and a JPEG image at the same time. Whether that raw image is saved with an embedded JPEG for viewing, or processed to a JPEG for immediate use, or both, is up to you when you set up the menu.
Raw images are great when you need exposure latitude, plan to post-process your images, need to squeeze every last pixel of quality out of a scene, want creative control that simply can't be had with in-camera JPEG processing... They have the penultimate photographic potential, because, like color negative films, with a decent exposure, you can make any kind of image you want from them.
If you are doing run-and-gun work, weddings, wildlife, or anything where the light is changing rapidly and you NEED LATITUDE for adjustment, raw mode is your friend. If you are a "photographic artist" who wants total control over the look of your prints or online images, raw mode is your friend.
JPEG images are not meant to be edited! They are meant to be used right out of the camera. JPEG is a compressed file format, storing 8-bit images instead of the 10, 12, 14, or 16 bits per pixel that the original raw file has or had. JPEGs contain much less data than raw images. So when you go to adjust them, there is much less latitude to do so. The irony of the JPEG is that the closer to PERFECT your original exposure, the more LATITUDE you have for adjustment!
Knowing that, people ask, "Why would anyone ever save JPEGs at the camera?" Well, there are perfectly good reasons for doing so! Here are a few:
• You work for a wire service or news company that demands straight-out-of-the-camera images for publication, because they don't trust you not to photoshop a raw file (meaning you might alter its visual contents).
• You work for a mass portrait company (school portrait studios, department or big-box store studios, mall studios...). These companies rely on JPEGs because they make MILLIONS of images and have neither the server space, nor the network bandwidth, to move them to high speed printers at high speeds. When your lab makes a million packages in one week, as one company I've worked for does, you don't convert them from raw files!
• You work under fixed, controlled-quality lighting. If you're photographing 500 different screws, nuts, bolts, and washers for a parts catalog, there is little reason to use raw capture. You can set the camera menus and exposure and white balance once, make 500 exposures, burn a CD, and be done with it.
• You need to send a file straight from your camera, to and through your smart phone, to a colleague elsewhere, for immediate use on a web page or in a presentation. SOME cameras have a bit of limited on-board raw file post-processing control, but most don't, and using that feature is awkward. So the solution is "PRE-processing" — setting menus and exposure and white balance correctly at the camera, and sending a decent JPEG via WiFi, NFC, or BlueTooth.
• You used to use slide film almost exclusively, so you learned how to control nearly ALL the variables BEFORE the moment of exposure! With slides, we had NO LATITUDE. (Okay, +1/3 and –1/2 to –2/3 of one f/stop, same as practical for JPEGs). We had to use the right film (Tungsten or Daylight color temperature balance), the right ISO film for the circumstances, the right color compensating filter over the lens to balance the light source (0.30 CC Magenta for Cool White fluorescent lamps, for instance). If we wanted any vignetting, that was done with a lens attachment. If we wanted any other special effects, they were done with lighting, filters, or other on-scene techniques. In short, we understood how to control everything going onto that film, and had the discipline and care to do so.
In reality, raw and JPEG capture represent two completely different work flows. Like Kodak Portra 160 Professional Color Negative Film and Fujichrome Velvia 50 Transparency Film, they serve completely different needs. I use both raw and JPEG file types, and consider neither one to be superior to the other. They are simply different tools that I use for different purposes.