lamiaceae wrote:
Why, how; you only shot slides all the time? No darkroom photography for you? The 35mm film format is like digital, 2:3. Sure store machine prints can be 4x6". You never printed your own to 8x10", 11x14", 16x20"? You have to crop to go from say 8x12" to 8x10". Light sensitive photo enlarger printing paper basically only came in a few sizes, 4x5, 5x7, 8x10, 11x14, 16x20, 20x24. For others you had to either cut it to size, be lucky and find a box of a strange size like 8.5x11, or special order. None of these match the native "35mm" ratio of 2:3.
Even with film I sometimes left enough extra room or space to go from Landscape to Portrait format, especially when shooting 6x6cm, 6x7cm, and 4x5" film. Might have been tighter for 35mm, not allowing directional format change but some aesthetic cropping room. Like with digital, you can't crop or process what is not there.
Why, how; you only shot slides all the time? No d... (
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crop it in the camera. It was also widely known that magazine and book editors and other graphic arts editors LOVED
inch square format, 6x6cm negatives or transparencies. Therefore the Hasselblad was immensely popular in the publishing business so the editor could decide portrait or landscape later.
PS. Does 10,000 film 8x10" museum photos make one inexperienced? Not including countless other exposures over 39 years.