HOT Texas wrote:
Every year I read about photographers and models getting killed on rail road tracks, if you must do this, please find some dead tracks, there are plenty of them around. Last year I was asked to photograph two kids on a rail road bridge (brother and sister) I refused, I could have made plenty of money for the shoot, but I refused.
NAVASOTA, Texas (AP) The mother of a 19-year-old woman says her daughter was killed when she was struck by a train while having photos taken of her on the tracks in a bid to launch a modeling career.
Hakamie Stevenson said her daughter, Fredzania Thompson, attended Blinn College in Bryan but wanted to put her education on hold to begin modeling.
Authorities say Thompson was standing between two sets of tracks Friday in Navasota when a BNSF Railway train approached.
She moved out of the way of the train but was apparently unaware that a Union Pacific train was coming in the opposite direction on the other tracks and was struck.
The person who was taking photos of Thompson was not hurt.
Every year I read about photographers and models g... (
show quote)
HOT,
I agree with your warning and the comments that are attached to your post. There is an alternative to violating the property rights of the railroad. It has everything to do with the knowledge and training the photographer has at his/her disposal.
In today's technological age all aspiring photographers could take a few lessons from Hollywood in the film and television arts and sciences, it is called a 'Green Screen'.
You did not have to turn down the opportunity to photograph the Brother and Sister at the railroad tracks.
Consider this option. Discuss all the pertinent details with the subjects, determine the location of the proposed shooting, offer any alternative locations you may be aware of, and take the subjects out to the location for visual inspection and
imaginative rehearsals of the captures.
On a scheduled day meet the subjects at your studio location, place both in the desired pose in front of a green screen. Make several potential photo captures in variously discussed poses. After the indoor shooting, if it is acceptable, take the subjects out to the desired location to observe you capturing the railroad track on an acceptable sunny, or overcast day. Returning to the studio, allow the subject to go on their way while you process the photographs.
Your task now is to screen out the green screen background and copy/paste (merge) the subjects onto the railroad photos for a single composite photograph. Once you get the knack of merging with the green screen you can apply any, or all the studio captures onto any of the outdoor photos.
For those photographers who are knowledgeable about railroad scenic locations and their photo equipment you can create some very dramatic captures. Many railroad tunnels lead into the tunnel on a gentle curve and may continue the curve within the tunnel. A model can be placed in front of a tunnel opening showing the curving tracks entering the tunnel, curving thru the tunnel and showing the light at the end of the tunnel. The model can be illuminated in studio to simulate daylight sun, and positions to provide a silhouette effect.
All of this can be done with thousands of venues with no one getting in a hazardous position. Knowing locations, photo equipment, and post processing can capture a moment in time without becoming an illegal statistic.
Michael G