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Nov 25, 2015 10:54:25   #
Collie lover Loc: St. Louis, MO
 
AZ Dog wrote:
I digress, I just do not like shots that are processed to the point that I do not think they can be called photos.


Agree. Some PP may be needed; i.e., cropping, lightening up areas, etc. But some people go overboard. We're not seeing what was actually there, but what someone thinks it should look like. That's what a painter does. A painter paints their interpretation of something they see, not what it actually is.

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Nov 25, 2015 10:55:50   #
Tony.mustang
 
All responder should be happily with a good shot rather than making it what it wasn't. So keep up the good pc work and show others what a beautiful shot it is vs taking a good picture and being proud of your photography skills

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Nov 25, 2015 11:09:21   #
burkphoto Loc: High Point, NC
 
Darkroom317 wrote:
Like I said earlier. Audiences rarely care how something was made. Only people interested in or working in the medium care.


Some things, like making sausage and politics, cannot be done in front of the general public with the same outcome. Supporting the conduct of war in a free society with graphic media oversight is difficult.

It is true that no one outside a given field cares what goes on "behind a curtain," so long as they like the result.

To those of us IN the field, however, every detail is worth scrutiny, agony, debate…thesis, antithesis, and Hegelian synthesis/resolution.

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Nov 25, 2015 11:09:36   #
pfillius Loc: Hercules, East SF Bay, CA USA
 
AZ Dog wrote:
I subscribed to UHH to maybe learn a bit more about photography. I can't even be called a serious photographer, but I like what I do. There is one subject that really bugs me though. That is Post Processing. So much of what I see on UHH is not photography, but a bunch of "I can do this better than you can" For example, a person submitted his shots from Hawaii that had been altered so badly they were just downright UGLY. I have been to Hawaii many times and there are many opportunities to get great shots without PP. What would Ansel Adams or David Muench do? Anyone out there feel the way I do?
I subscribed to UHH to maybe learn a bit more abou... (show quote)


I agree AZ. Many years ago I was a member of a fairly large local camera club and when digital cameras became available we had to develop a new category for digital and it became apparent early on the photos shown were not going to really be "photo art". The club as a whole eventually lost interest just for the reasons you describe. It was kind of sad but that's how it was, the end of an era, so to speak. - Paul

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Nov 25, 2015 11:27:34   #
burkphoto Loc: High Point, NC
 
pfillius wrote:
I agree AZ. Many years ago I was a member of a fairly large local camera club and when digital cameras became available we had to develop a new category for digital and it became apparent early on the photos shown were not going to really be "photo art". The club as a whole eventually lost interest just for the reasons you describe. It was kind of sad but that's how it was, the end of an era, so to speak. - Paul


Yes, a whole generation of old-school photographers retired when the digital imaging revolution occurred. I watched one particular individual quite literally go insane because he could not comprehend the new technology. Others just gave up.

I watched about 70 people who had worked in our photo lab — most of them for two to four decades — GIVE UP AND GET LAID OFF, rather than go to school at the company's expense to learn computing and digital imaging technologies. About the same thing happened among the ranks of our employee photographers and our customers' photographers. Hundreds of them left the industry, because they could not handle the paradigm shift.

There is absolutely no reason on Earth why that is a foregone conclusion, however! The best of us took all we knew about film and optical imaging methods and drew direct parallels into the digital world. We discovered that there is far more capability, precision, control, flexibility, quality, speed, safety, USEFULNESS and [insert more "better" characteristics here] in the world of digital imaging than there ever was with silver halide imaging methods.

If you haven't read The Long Tail, by Chris Anderson, go get that book! It explains the benefits and implications of the digital world quite well.

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Nov 25, 2015 11:30:43   #
burkphoto Loc: High Point, NC
 
Collie lover wrote:
Agree. Some PP may be needed; i.e., cropping, lightening up areas, etc. But some people go overboard. We're not seeing what was actually there, but what someone thinks it should look like. That's what a painter does. A painter paints their interpretation of something they see, not what it actually is.


Check out Julieanne Kost's web site at http://jkost.com for some excellent examples of "painterly photography." I especially like her "What I Dream" categories.

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Nov 25, 2015 11:31:19   #
paulrph1 Loc: Washington, Utah
 
A while back I was in Grafton, a ghost town just outside of Zion N.P. and there was and artist there painting pictures of the town backed by the peak of Zion. In his painting he moved this and that, the school house was different. In fact I made the comment to him I cannot get that perspective through my lens to which he replied That is called artistic license and as such can paint what I feel and not what I see.
Another times I was on the south rim of the Grand Canyon running around taking pictures with my 35mm and walk by a camera set up to take a picture. It was a 5x7 view camera where the bellows were twisted and I must admit I could not achieve that either. It was also better than I could achieve from that vantage point. But I press on knowing I like what I can get and have to look for better vantage points, etc.

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Nov 25, 2015 11:39:07   #
paulrph1 Loc: Washington, Utah
 
burkphoto wrote:
Yes, a whole generation of old-school photographers retired when the digital imaging revolution occurred. I watched one particular individual quite literally go insane because he could not comprehend the new technology. Others just gave up.

I watched about 70 people who had worked in our photo lab — most of them for two to four decades — GIVE UP AND GET LAID OFF, rather than go to school at the company's expense to learn computing and digital imaging technologies. About the same thing happened among the ranks of our employee photographers and our customers' photographers. Hundreds of them left the industry, because they could not handle the paradigm shift.

There is absolutely no reason on Earth why that is a foregone conclusion, however! The best of us took all we knew about film and optical imaging methods and drew direct parallels into the digital world. We discovered that there is far more capability, precision, control, flexibility, quality, speed, safety, USEFULNESS and [insert more "better" characteristics here] in the world of digital imaging than there ever was with silver halide imaging methods.

If you haven't read The Long Tail, by Chris Anderson, go get that book! It explains the benefits and implications of the digital world quite well.
Yes, a whole generation of old-school photographer... (show quote)


So with that being said should there be limitations that are drawn. This fake stuff is even rolling over into other aspects of our lives and some want to modify everything even though it is not correct. And in so doing over look the obvious. Funny this is there is nothing wrong with the "as it is". Or are we just jumping one the bandwagon, not trying to create any waves. In so doing many important things are overlooked just to fill the mind set.

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Nov 25, 2015 11:40:55   #
BobHartung Loc: Bettendorf, IA
 
AZ Dog wrote:
I subscribed to UHH to maybe learn a bit more about photography. I can't even be called a serious photographer, but I like what I do. There is one subject that really bugs me though. That is Post Processing. So much of what I see on UHH is not photography, but a bunch of "I can do this better than you can" For example, a person submitted his shots from Hawaii that had been altered so badly they were just downright UGLY. I have been to Hawaii many times and there are many opportunities to get great shots without PP. What would Ansel Adams or David Muench do? Anyone out there feel the way I do?
I subscribed to UHH to maybe learn a bit more abou... (show quote)


I totally agree that post processing is too often overdone. An example would be the grunge effect so popular today. Also HDR with horrendous tone mapping.

However, I also believe that to get the most from a modern digital camera I need to shoot in RAW 16 bit with the largest color space my camera is capable of.

In that case, I liken the RAW data to the undeveloped negative and the post-processing to the darkroom dance where I try to reproduce the feeling on the print that I felt when I visualized the scene.

Sometimes this is only minimal color temp, white and black point adjustment and setting of the mid tones. Other times, a bit more demanding of skills that I am only beginning to learn.

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Nov 25, 2015 11:42:19   #
JohnSwanda Loc: San Francisco
 
Collie lover wrote:
Agree. Some PP may be needed; i.e., cropping, lightening up areas, etc. But some people go overboard. We're not seeing what was actually there, but what someone thinks it should look like. That's what a painter does. A painter paints their interpretation of something they see, not what it actually is.


If you are using photography as an art form, you have every right to interpret what you see as a painter does.

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Nov 25, 2015 11:42:24   #
davyboy Loc: Anoka Mn.
 
The question should not be about p.p. but maybe when a photo is changed as not to look like a photo then should be labeled as a different form of art

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Nov 25, 2015 11:43:12   #
jimmya Loc: Phoenix
 
AZ Dog wrote:
I subscribed to UHH to maybe learn a bit more about photography. I can't even be called a serious photographer, but I like what I do. There is one subject that really bugs me though. That is Post Processing. So much of what I see on UHH is not photography, but a bunch of "I can do this better than you can" For example, a person submitted his shots from Hawaii that had been altered so badly they were just downright UGLY. I have been to Hawaii many times and there are many opportunities to get great shots without PP. What would Ansel Adams or David Muench do? Anyone out there feel the way I do?
I subscribed to UHH to maybe learn a bit more abou... (show quote)


Yes, to a point, I do. I'm not a big fan of PP but if it's required to make the shot look good then I'll do some.

I've added two points of contrast to my camera's output and most of the time I won't change a thing.

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Nov 25, 2015 11:44:53   #
JohnSwanda Loc: San Francisco
 
davyboy wrote:
The question should not be about p.p. but maybe when a photo is changed as not to look like a photo then should be labeled as a different form of art


If you knew anything about the history of photography, you would know that photographs have many "looks", many of which are different than the eye sees. You have a very limited concept of what photography can do.

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Nov 25, 2015 11:48:28   #
sb Loc: Florida's East Coast
 
What a great discussion! It can easily be summarized with the old saying: "there is no accounting for taste". Or the new saying: "opinions are like a**holes - everyone has one"!

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Nov 25, 2015 11:52:42   #
davyboy Loc: Anoka Mn.
 
WHAT is the difference between a snapshot and a photo??

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