Apaflo wrote:
Wonderful, except none of that will do what he wants done. He has two objects that are not illuminated the same, and he wants them to be equally bright in the image.
No exposure meter will do that.
The question concerned meter patterns and locking in the exposure setting, which my reply did address. The question of correcting for uneven exposure has previously been commented on.
RWR wrote:
The question concerned meter patterns and locking in the exposure setting, which my reply did address. The question of correcting for uneven exposure has previously been commented on.
The
only reason the OP has even mentioned "meter patterns and locking in the exposure settings" is because several people have confused the issue entirely by suggesting that different metering methods would solve his problem. You have him thinking it will, and in fact it won't.
He has never asked how to get the "right exposure", he asked how to get the two people exposed the same.
Apaflo wrote:
Wonderful, except none of that will do what he wants done. He has two objects that are not illuminated the same, and he wants them to be equally bright in the image.
No exposure meter will do that.
True, what is necessary is an exposure compromise with subsequent adjustment in post.
tinplater wrote:
True, what is necessary is an exposure compromise with subsequent adjustment in post.
Yep!
I wouldn't "compromise" in the way most people will read that though. I'd expose to get the brightest area in the image that should have detail come out at about 1/2 stop below clipping. (That's a luminance value of 245 in an editor.) Then using selective editing I'd raise the darker parts up to match as desired.
That does suggest either using a spot meter or better yet closely monitoring the camera's histogram or blinking highlight display.
But post processing is the ultimate answer, not metering.
Edit: If the OP would like I can post an edit of his image demonstrating the post processing.
Apaflo wrote:
He has never asked how to get the "right exposure", he asked how to get the two people exposed the same.
The question was, "What is the best way of getting both subjects to an acceptable exposure." (OP, 3rd line). The question was answered some time ago.
RWR wrote:
The question was, "What is the best way of getting both subjects to an acceptable exposure." (OP, 3rd line). The question was answered some time ago.
If that is what the OP wants, the original image is perfect in terms of what the camera delivered. The JPEG image presented here has many pixels on the man's face that are just barely clipping at a value of 255, however if the saturation is dropped just 2 points there are no pixels on his face that are clipping (and it is not a visible difference either).
But if you carefully read the sentence you've quoted in the context it was written it seems obvious that it is the disparity between the two faces that is a problem, not getting each to a different but otherwise technically acceptable level. Words like "I saw that I didn't have a balance between both subjects" are the key, not taking "an acceptable exposure" as literally as you have. What is acceptable? Not clipping? Or being balanced with the other individual?
Getting just an acceptable exposure for each does not improve the image even slightly, but equalizing the brightness of the two individuals does make a significant difference.
Apaflo wrote:
If that is what the OP wants, the original image is perfect in terms of what the camera delivered. The JPEG image presented here has many pixels on the man's face that are just barely clipping at a value of 255, however if the saturation is dropped just 2 points there are no pixels on his face that are clipping (and it is not a visible difference either).
But if you carefully read the sentence you've quoted in the context it was written it seems obvious that it is the disparity between the two faces that is a problem, not getting each to a different but otherwise technically acceptable level. Words like "I saw that I didn't have a balance between both subjects" are the key, not taking "an acceptable exposure" as literally as you have. What is acceptable? Not clipping? Or being balanced with the other individual?
Getting just an acceptable exposure for each does not improve the image even slightly, but equalizing the brightness of the two individuals does make a significant difference.
If that is what the OP wants, the original image i... (
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Indeed the posted photo can be easily touched up in post processing. My thinking all along has been that one should attempt to expose, as closely as possible, so that neither subject is too over or underexposed. And Paul early on acknowledged that he'll need software to balance the brightness levels. I'm sure his next shoot will be more successful.
Apaflo wrote:
Matrix metering cannot possibly adjust the difference in illumination for any two objects. Worse though, it isn't very good at measuring it either!
:thumbup: :thumbup: :thumbup:
Paul D wrote:
Thanks. This photo is pretty similar to all that I took that evening. By the way, I did not use a flash.
Photo looks natural, don't mess with it. :thumbup: :roll:
Paul D wrote:
Haven't really gotten into taking photos of people, especially at night or with artificial lighting, but last week took a photo at a night football game with two people in the photo. One of the subjects came out perfectly exposed, the other (who was taller) was overexposed. What is the best way of getting both subjects to an acceptable exposure. I shot in program mode to select my highest ISO, but I let the camera determine the aperture and shutter speed. I did select the shutter speed once I saw that I didn't have a balance between both subjects, but still no improvement. I can't recall the metering mode I selected. Can anyone suggest how to correct this in future photos? Taking landscape, daytime photos is far less complicated. Isn't nature wonderful to photographers. Thanks in advance for any reply.
Haven't really gotten into taking photos of people... (
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Your D7000 camera is capable of detecting 35 faces if you shoot in LIVE VIEW. Here read this:
http://www.imaging-resource.com/PRODS/D7000/D7000LIVEVIEW.HTM
What I thought was a simple question turns out to be a subject that brings about a series of answer, all of which are apparently correct. What all your contributions have done is to get me to further examine the areas of metering and exposure that I had limited or no knowledge about. Next time I face this problem I will have some options that I am now aware of that could improve the photo, but may not totally solve the dilemma.
I did go into Lightroom, as many suggested, and within seconds had made the necessary adjustments to bring both subjects into a similar exposure.
I thank all the contributors for bringing up my knowledge level on the subject. You are all Aces of helping me out.
joer
Loc: Colorado/Illinois
Paul D wrote:
Thanks. This photo is pretty similar to all that I took that evening. By the way, I did not use a flash.
A good reason to shoot raw and post process.
Paul D wrote:
I guess that the answer may be that there is no one answer to solve the problem. I guess my next attempt will start with matrix metering and if that doesn't solve the problem work within Lightroom to correct it.
Opinions-a-plenty, so I will give mine.
The primary issue/cause based on the provided photo is that you have side lighting casting undesirable shadows on the subjects faces, supplemented by the woman's face angled down with her hair possible blocking the side lighting source, as well as some likely facial complexion differences. Fill flash would have eliminated the shadows and likely helped with exposure. Any slight facial exposure differences remaining could easily be tweaked post processing.
My two cents worth, keep the change!
From the photo it looks like you were shooting subjects that you had little control over as to lighting and their position. Without that, there is little you can do. If this is the case, make sure metering is matrix, shoot manual and RAW. You can then adjust later in post processing and get it close.
If you do have control over their position, then move them so the light is more even and flattering. He is being hit with stadium lights by the looks of it and she is in his shadow. He is also much taller, either raise her or lower him. Again use matrix metering, you can use program mode at this point but I would stick with manual.
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