Caysnowman wrote:
Chuck: would you mind sharing you LR work flow on the Houghton / Handcock shot?
TIA Bill
I'd be happy to, especially since I just did it over because I decided I didn't like the first version. Please bear in mind that I am very, very new at Lightroom, so it's all part of the learning curve.
The original capture was a Nikon raw (NRW in my Nikon P7800). For illustration I zeroed one out which shows that it was really awful blah. The overcast was pretty heavy. There was just no light. Ick. But sometimes I hafta move on and I like to joke that, "Ya takes yer pitcher wiv' the light ya gots." :mrgreen:
The first rework, which I now think is not as great as I first thought, was tinkered with a bunch of stuff.
--I tried out a bunch of Lightroom's onboard presets, finally settling on "punch."
--I worked the highlights and shadows,
--then used the graduated filter on the sky only and pulled the exposure down to "richen" the sky
--and also adjusted the whites, clarity and saturation
--Then I used the adjustment brush to select the water, pulled the exposure down a little and kicked up the clarity.
I thought it was okay (just okay) :? , but I kept looking at it and not liking---something.
The final one below is where I'm at now.
--I started all the way back from from the zeroed version and adjusted overall exposure and contrast
--adjusted clarity, shadows, highlights, vibrance and saturation.
Once I thought I had the overall picture about right
--applied the linear graduated filter again to the sky only
--once again pulled the sky exposure down
--increased the saturation
--and the vibrancy
Then I pulled another linear graduated filter up from the bottom, which is different from what I did before when I only masked the water
--I pulled the exposure down
The idea was to focus attention on the town across the ship canal.
Hope that helps, Bill. Thanks for asking, but do remember that I am a rank beginner in Lightroom; I'm more accustomed to Photoshop. :-D