Marilyng wrote:
Ok Bob I have a number 58 with a small circle with a diagonal line through it to the left of it,would that be it?
The only reason to add a UV filter is for "protection". It serves almost no other purpose on a digital camera. UV filters were used a lot back in the days of film, because many films were overly sensitive to UV light, that made for a sort of bluish haze in images. Folks saw pros using UV on their film cameras a lot, and misinterpreted that they were being used for "protection", which actually wasn't the case.
Today's digital cameras have built in UV filtration, so there really is no need for an additional filter on the front of the lens for this purpose. However, there are also clear filters that strictly only for "protection".
Still - seriously - just how much "protection" do you think a thin piece of glass can afford your lens?
If you don't already have one, your money would be much better spent on a lens hood, instead of a filter. A hood does a better job "protecting" a lens... And a properly fitted one cannot possibly harm, can only improve your images.
But, hey, if you've got money burnin' a hole in your pocket and nuthin' better to do with it... and want to follow the crowd... By all means go ahead and get a good quality, multi-coated UV or clear filter (like the Hoya HD or a B+W MRC). That way it will do minimal harm to your images in most situations.
Depending upon what you shoot, a Circular Polarizer is actually a much more useful filter for digital photography. It can improve images in certain ways that really cannot be done very well in any other way. Many other types of filters can be emulated with software... either in-camera or in post-processing. But not a C-Pol.
However, you really don't want to leave a C-Pol on your lens all the time, either. It "costs" between one and two stops of light... which is not a problem in broad sunshine, but not so great in low light situations. It also has multiple layers of glass, which increase the chance of flare and other issues in certain lighting conditions. But, C-Pol remain the single most useful type of filter for many things: scenic shots, especially, but also sometimes for portraits, macro, architecture and other purposes. They cost more, but get a good one (same brands and multi-coatings as above).
Personally I have UV filters (B+W MRC and Hoya mulit-coated) for most of my lenses. They're stored separately in my camera bag until actually needed... which really isn't very often. Probably less than 1 or 2% of my shots are under conditions such as blowing sand, sea spray, etc., where the filter's protection might actually be helpful. I use C-Pol filters far more often. And I have a couple other types of filters I only use occasionally, but still more often than the UV. The rest of the time... probably 70% of the time or more... my lenses go "naked and filterless". Somehow they've managed to survive (and I've been shooting with some of my current kit for 15 years or more... making between 25,000 to 50,000 images a year with them). I almost always use a lens hood when shooting... And the lens cap protects my lenses very well when they're stored.