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Finally fed up with soft focus.
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Oct 16, 2015 19:03:24   #
RON 11 Loc: Pittsburgh
 
I shoot a 16-85 on my D7000 about 80% of the time and find it to be incredibly sharp for a zoom. It might not be a wide enough focal spread to suit you but I tend to agree with the idea that too wide a focal spread degrades the images to a a degree. Of course when i need dead sharp I switch to primes. It is awful hard to beat a nifty 50 and if I was a portrait shooter I would definitely have the 85mm 2.8 or even the 105. You have got to match your lenses to what you want to accomplish. There is simply no lens that will d0 it all.

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Oct 16, 2015 20:27:04   #
BigGWells Loc: Olympia, WA
 
Raz Theo wrote:
I am a manic shooter, inspired to shoot anything that moves for maybe four to six months, and then I won't pick up the camera for another six. So the Nikon D7000 - 18-200mm f/3.5-5.6G AF-S ED VR II combo, which I bought about three years ago has faithfully (somewhat) served my purposes. I shoot mostly handheld/monopod and the Nikon package is flexible and unobtrusive to carry. But now I'm really frustrated with the lack of sharpness of the Nikkor and trying to compensate for it's weakness in post, especially when I'm trying to enlarge to, say, 11X14. Plus, I'm jealous of the great pix I see displayed on this site. So, I'm going to invest up to $1,000.00 for a new, faster lens (the D7000 is OK for my purposes) but I need advice. With the exception of the 70-200mm f/2.8G ED VR I or II (which is too heavy and too expensive), can you folk offer some advice (can a bear......). By the way, I shoot with a tripod and remote whenever possible but the lens is inherently soft. Thanks.
I am a manic shooter, inspired to shoot anything t... (show quote)


First, have you ever adjured your camera and lens combination? If not I would first start there. The D7000 is inherently bad for soft focus, I had to send my in for an adjustment. As far as a lens, I had the 70-200 f2.8 and now have the 70-200 f4. I have found the f4 to be sharper on my 7000, 7200, 750 and 810. It of course is lighter and about half the cost of the f2.8. If your looking for prime lens, for sure look at the Sigma Art series. The Nikon 60 and 105 are extremely sharp. For Zooms, as I mentioned the 70-200 f4, also look at the Nikon 28-300. I am very happy with that lens, very fast, very sharp. Do not overlook Sigma products, I have 4 Sigma lens, and am very happy with each one.

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Oct 17, 2015 04:30:06   #
lamiaceae Loc: San Luis Obispo County, CA
 
burkphoto wrote:
Just out of curiousity, Raz, what aperture range are you working within? On a D7000, you must know that apertures smaller than about f/8 will show noticeable diffraction limiting of sharpness. By f/16 it is pretty bad, and at f/32 it's a special effect.

Lots of folks don't understand this — the smaller the format, and the higher the resolution of the sensor, the wider the aperture at which diffraction starts to degrade sharpness.

That said, this is a lens (and a focal length range in general) that is full of compromises and tends to disappoint. The second gen is much better than the first, but still... There's only so much you can do with that range.

Zooms with shorter ranges are much easier to design and build, and usually perform a lot better. That is why professionals break this range into three lenses, buying a 14 to 24, a 24 to 70, and a 70 to 200. Each of those ranges is well-controlled in every way.
Just out of curiousity, Raz, what aperture range a... (show quote)


Yes. I used to use fairly small apertures with film (since the lenses exceeded the IQ of the films). But as I've learned more about digital I have learned to live with less DoF and f-stops of 1.4, 2.8, 4 to 8 or 11 with my CF DSLRs. Yikes, my Macro lenses go to f/32! I just have to use other skills like more precise focusing, lenses with more DoF, and perhaps focus stacking. I use mainly Prime lenses as well.

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