burkphoto wrote:
Just out of curiousity, Raz, what aperture range are you working within? On a D7000, you must know that apertures smaller than about f/8 will show noticeable diffraction limiting of sharpness. By f/16 it is pretty bad, and at f/32 it's a special effect.
Lots of folks don't understand this the smaller the format, and the higher the resolution of the sensor, the wider the aperture at which diffraction starts to degrade sharpness.
That said, this is a lens (and a focal length range in general) that is full of compromises and tends to disappoint. The second gen is much better than the first, but still... There's only so much you can do with that range.
Zooms with shorter ranges are much easier to design and build, and usually perform a lot better. That is why professionals break this range into three lenses, buying a 14 to 24, a 24 to 70, and a 70 to 200. Each of those ranges is well-controlled in every way.
Just out of curiousity, Raz, what aperture range a... (
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Yes. I used to use fairly small apertures with film (since the lenses exceeded the IQ of the films). But as I've learned more about digital I have learned to live with less DoF and f-stops of 1.4, 2.8, 4 to 8 or 11 with my CF DSLRs. Yikes, my Macro lenses go to f/32! I just have to use other skills like more precise focusing, lenses with more DoF, and perhaps focus stacking. I use mainly Prime lenses as well.