hosh wrote:
I have never done any post processing except occasionally minor cropping. After browsing this sight for a few weeks I'm beginning to think I'm missing out on something that can take my images to the next level. I'm a bit nervous as I am not the most computer tech savvy person but I am willing to give it a try. I have a PC not a MAC. I have been learning about shooting RAW instead of JPEG.
1. What do you recommend as a good starter program for post processing?
2. Within that program what tools do you recommend starting out with?
Thank you so much for your feedback. I have learned so much already since finding this forum.
I have never done any post processing except occas... (
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I would highly recommend you start with Adobe Elements 13. It has three user interfaces built in, that you can switch between as you learn and become more capable with your adjustments. Start out with the beginner, most guided level. Then when you feel comfortable, you can switch to a moderately guided mode... and eventually to a relatively unguided expert mode.
Elements is a reasonably affordable and comprehensive stand-alone program... With both cataloging and image optimization capabilities. It borrows many of it's key features from Lightroom and Photoshop, and uses a simplified version of the same Adobe Camera Raw converter as the two bigger programs.
Perhaps the most significant limitation with Elements is that you save images as 8 bit JPEGs... it cannot save 16 bit TIFFs or PSDs. However, the vast majority of image uses are limited to 8 bit JPEGs anyway, so this may not matter at all for many users. (Note: the original RAW file remains untouched, so can later be converted to other formats with other processing software, if desired.)
The problem with Lightroom is that it's a potent cataloging and organizing tool... with relatively light, mostly global image optimization tools. Conversely, Photoshop is the Mac Daddy of all image optimization tools, able to edit images selectively right down to the pixel level... but with minimal cataloging and organizing capabilities. So, neither LR nor PS is truly a full-featured, stand-alone program. They complement each other and many people need and use both.
Some people get by with LR alone... who shoot a lot and need to handle high volume of images, but only process images minimally for online sharing and/or small prints or proofs. Other folks manage with PS alone... they shoot relatively low number of images, don't need a lot or have other means of organizing, sorting and searching them, and more thoroughly optimize select images for high use such as large prints or commercial purposes.
It's very tempting to subscribe for $10 a month and get both LR and PS... but you still need to learn to use them well. LR can be picked up pretty well in a few weeks or a couple months with one or two text books and a lot of practice. Learning to use PS fully can take a junior college 2-year degree worth of courses and a small stack of text books, plus some years of practice with it to become really well versed. There are no "beginner/guided" modes to speak of with LR and PS, the way there are in Elements.
Besides, Elements is a good first step toward eventually "stepping up" to the bigger programs, if you still feel the need to do so.
Within Elements (or any other image editing/RAW conversion software, for that matter), you'll need to become familiar with all the tools it offers. There's no way to suggest just certain ones that you'll need. You'll likely use several more than others, but which ones depend upon what your images tend to need. Get a "how to" book at the same time you buy the program... and/or take an online course or a real class, and check out online tutorials and support forums.
A few other things I'd recommend:
Shoot RAW + JPEG for a while. The JPEG images will be processed in-camera according to the settings of the camera itself. It's always a good idea to "get things right" in-camera. Also, you can use the JPEGs as a guide while you learn to post-process your images. Once your RAW conversions consistently look better than the JPEGs straight out of camera... and you know why the do... you'll probably want to switch to shooting RAW only.
Another thing to consider is calibrating your computer monitor. It's hard to do accurate post-processing without doing so. If not calibrated, your monitor is likely lying to you... it's not really displaying colors correctly and almost certainly is way, way too bright. Nearly all monitors are, at their default setting. A calibration device and software (such as Datacolor Spyder, X-Rite ColorMunki, or Pantone Huey) first helps you set a usable brightness, then displays and analyzes a series of color patches to create a profile that's used to produce more accurate color on your monitor. Further, computer monitors gradually change color and grow dimmer over time with use and age, so need to be re-calibrated every so often. I try to do it every month or two. (And the software alerts me when it's time to re-calibrate.)
Hopefully you are working with a desktop PC in a fixed location. Any portable computer that's moved around has two problems... one is that colors won't be accurate when the ambient light conditions are changed by moving it... the other is that the brightness is often effected by the viewing angle of the screen, which changes every time you open and close a laptop, for example. So, technically speaking, for greatest accuracy you'd have to re-calibrate a portable any time you move it to a different location or open and close a laptop! Since it takes 10 or 15 minutes to calibrate, that would be a royal pain in the arse! A fixed location is much easier. A laptop using a separate, external monitor is a possibility, if not a full desktop setup.
Monitor quality also varies a lot. Consumer models usually have somewhat less color gamut... i.e. they clip off colors in certain ranges. Better graphics quality monitors can usually display a wider gamut that's closer to what's possible with a print. But, even using one of those, I'm always pleasantly surprised to discover more shadow and highlight detail in my images, once they are printed (especially when using a smooth, matte paper... which is best for sharpness and focus evaluation, too).
Yes, you'll need adequate PC setup to handle image files, which can be relatively large in size... plus in sheer number eventually. Figure out an organization that works for you in advance, if you haven't already done so.
Oh, and back up your files!
Hope this helps!