Darkroom317 wrote:
I've seen an Ansel Adams negative. It was exposed very well and had tremendous detail
Yes, mostly done with Dodging and Burning in the darkroom. In other words, post processing.
mwsilvers wrote:
Yes, mostly done with Dodging and Burning in the darkroom. In other words, post processing.
In order to obtain a spectacular print yes. But it could have been printed straight ad yet be considered a technically good photograph.
Comparing raw to jpegs is like asking "Which is best to make bread, dough or flour?".
dsmeltz wrote:
I think this thread has worn itself out. The OP does not get it and never will. I am out of here.
Glad to see you go. Don't go away mad, just go away.
I am a control freak when it comes to my pictures. I do a large amount of post prod editing. I shoot about 95% of my images raw. For me it is a personal preference. It all depends on what you are going to do with the image. There is no end all be all. Try both and then do as you like.
Jim Bob wrote:
Isn't it strange how some of these "knowledgeable" RAW shooters tell us that you can't show the difference on a picture. What is the essence of photography? The printed/developed image when last I checked. So if you can't produce an image that displays the merits of RAW when compared to JPGs, what's the point? Simply telling us that RAW provides more data means nothing unless we can visualize how that data effects the photo. Man, the tautology is sick.
Jim Bob, you can't post the RAW itself to show the differences, what you do is process the RAW then convert it to JPEG or whatever for display etc. Working with RAW and then converting has more lee way than trying to work with a JPEG from the start.
I am sure you know and understand that, you are just having a good time goading people to prove it to you. Kind of like an English teacher friend of mine who would tell his Senior Composition students to write an essay telling someone who had never made a peanut butter and jelly sandwich "exactly" how to make one. Then he would follow their directions as written to demonstrate the flaws in their instructions and reasoning.
"Put the peanut butter and jelly on the bread." He would put a jar of each on top of an unopened loaf of bread. etc. etc. etc.
If you are happy with JPEG that is OK. It is your choice. My choice is to shoot RAW and convert. Do I have images that don't need the PP that RAW makes possible, yes. But my personal choice is have it if I need it and take the little extra time to convert. I have forgotten to reset the camera to RAW after doing some in-camera HDR and then gotten some pictures I really wished I had the RAW to process. Note to self, remember to reset camera in future.
buenaventura43 wrote:
So I tried shooting in RAW after reading the merits of it on this thread. Suppose you don't do any kind of PP what will happen , is it bad ? I assume all of you who shoot in RAW do PP.
Straight conversion of RAW to JPEG often looks worse than the in camera JPEG conversion if you don't make some adjustments in PP. This is because the in camera conversion is often set to adjust to a look that the programer (or his boss) thinks looks better. Each camera company sets their conversion a little different, and sometimes different on different models. Example, many people think Canon JPEGs have better skin tones out of camera than Nikon JPEGs. Other people disagree with them.
To paraphrase a line from "My Cousin Vinny", my question is directed to Jim Bob, and ONLY Jim Bob: As we approach page 40, have you gleaned anything from this spirited discussion you provoked that you are willing to share? Or is your intent to remain on the sideline and toss a meaningless, non-commital barb every once in a while in a pathetic attempt to fan the flames?
Yes, if you don't do post processing then don't shoot RAW. If you turn your RAW file into a JPEG without post processing it will not look as good as the JPEG right out of the camera.
buenaventura43 wrote:
So I tried shooting in RAW after reading the merits of it on this thread. Suppose you don't do any kind of PP what will happen , is it bad ? I assume all of you who shoot in RAW do PP.
Darkroom317 wrote:
I've seen an Ansel Adams negative. It was exposed very well and had tremendous detail
But those who knew and worked with Adams said he was a genius in the darkroom.
Maybe even better than he was as a photographer.
Those good negatives were a starting point for him.
Example, "Moonrise Over Hernandez New Mexico". Adams personally made over 1300 prints of it according to some sources. They changed over the years as his vision of it changed and he got ideas for different things to do to it. If he had had digital and a RAW file of it what number of versions would he have produced?
robertjerl wrote:
Those good negatives were a starting point for him.
I know, that was my point. It was one of his former assistants, Alan Ross, that showed it to. Alan makes the prints from original negatives for the Yosemite collection
robertjerl wrote:
... If he had had digital and a RAW file of it what number of versions would he have produced?
He did have them, didn't he? (AKA the negative).
jsummers wrote:
http://www.slrlounge.com/school/raw-vs-jpeg-jpg-the-ultimate-visual-guide/
Maybe this will help. The original question is one I've had as well. I think raw gives you more creativity in post processing. Many of us don't need that much flexibility. I use LR5 and have been very happy with my editing abilities using JPEG. If you are a pro and want to do more editing, raw gives you that.
Thanks for the link. :thumbup: :thumbup:
robertjerl wrote:
But those who knew and worked with Adams said he was a genius in the darkroom.
Maybe even better than he was as a photographer.
Those good negatives were a starting point for him.
Example, "Moonrise Over Hernandez New Mexico". Adams personally made over 1300 prints of it according to some sources. They changed over the years as his vision of it changed and he got ideas for different things to do to it. If he had had digital and a RAW file of it what number of versions would he have produced?
But those who knew and worked with Adams said he w... (
show quote)
Introducing "Moonrise" into this conversation is a good move. If my recollector is working today, the negative for that picture
isn't well exposed at all. If it had been shot with a DSLR, a sooc jpg would have been thrown into the trash. Using his dark room skills AA eventually (years!) turned a poorly exposed negative into a great photo. Todays tools using a raw file, as an equivalent to a negative, would likely produce similar results. Whether displayed in .jpg format or .tif. But it would require learned skills to get there, not an in camera "do all" preprogrammed image.
TheDman wrote:
You should understand it whether or not you shoot raw. It just means that that area of the photo is a blown-out, clipped highlight. You can post process until you're blue in the face, but you can't recover image data from a clipped area. For more info on this, read here:
http://en.wikipedia.org/wiki/Clipping_%28photography%29Gotcha. And thanks for the Wiki link. I believe I understand - at least a lot better than I did.
ron
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