Bill Emmett wrote:
I enjoy using a hodge-poge of lenses. I've found that to really cover a lot of mili-meters with good, or great quality lenses you have to look at your shooting style, what your subject are, and where you do your shooting. Also, what type of camera do you want to use. Since I shoot both a full frame, and cropped, which lens and which body the location, and subject really dictates the selection. When adding a lens to my collection, there is lots of research, and paining over the cost vs return. My latest acquisition is a Rokinon 8mm Fish eye. It was really a inexpensive lens, all manual, but the output is something else. I received the lens on Thursday, shot a few test shots in the backyard, and worked with them in LR. I took the lens with me to meet-up with some tourists in the French Quarter. We walked, talked and shot our way through the Quarter. I pulled out the fish eye on Bourbon St. slapped it on the 6D, and shot a few under Bourbon/Conti Street sign, and along the old bar fronts on Bourbon. They loved the portraits under the sign, and wanted me to take some more fish eye of the Marganey. So we walked on the Frenchman St. Well to sum up the entire day, I paid for the fish eye, and then some. I did learn something about all this. When processing in LR using this Rokinon, in the Lens selection, pick Sigma 8mm fish eye. This selection will pull the picture from a floating ball, to a nice full frame effect.
Oh, to HoHoHo, California heat is nothing, come to New Orleans, in August. Your bones will melt in the humidity.
I enjoy using a hodge-poge of lenses. I've found ... (
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