lamiaceae wrote:
Yes, I agree with the others answering here too, at least the few I read so far. Personally I'd use a high quality prime lens, say a 35 to 50mm prime and shoot 5 to 9 or more RAW shots. Use a pan head tripod not a ball head (I had to buy a second head at the last minute). Oh, and shoot on Manual everything (focus and exposure). If need be, Av mode or Manual only. Don't make a fake panorama by cropping an extreme wide angle lens image or two images. Overlap 25% to even 33%, I usually have shot in vertical or portrait format. Also if PS CS5, CS6, or CSCC stitches all your shots at once and creates an odd, none rectangular image try combining them two at a time and then combine those from the center one(s) first working alternately outward. It can give you more control and a larger usable image. You will still likely have to crop to a rectangle. There are a few advanced tricks to fill in empty space (research "Photoshop Content Aware". Also try adjusting all your images with Camera Raw before hand. The resultant panorama can be a huge file, over 1GB! And thus hard to work with or edit. Unless you are actually printing a mural, a 105-inch wide image file is useless over-kill, so reduce your physical size to say 24" at 300dpi and then save it as a PSD or TIFF file. Only go to JPG for publishing or printing.
You might also try for another project a Stitched image that is not a panorama per say but a similar array of say a 3 by 4 array or grid of images to make like an image shot with a larger format camera. You can get incredible detail.
Yes, I agree with the others answering here too, a... (
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Thanks for the comment, and never thought of combining them two at a time, just learned something I never thought of, thanks.
Also, you are correct, Manual is the only way to shoot, some scenes however where the light is constant across I can see where you can shoot aperture priority but with Manual you will not see the seams in the final product. I never take the chance to not shoot in manual.