Nightsky wrote:
Having learned this in the 1960's I never really used the auto settings. My current camera (D800) does not have an 'auto' setting for ISO, You have to choose it just like in the days of film. Only then you were stuck with that ISO rating for the whole roll. ISO, f-Stop and shutter speed all interact to get you the correct exposure. If you think of everything in 'stops' it makes it easier. Going from ISO 100 to ISO 200 is the same as going from f16 to f11, or going from 1/250 sec to 1/125 sec. Just remember that your digital camera has intermediate settings. Full stops are f2, f2.8, f4, f5.6, f8, f11, f16, f22, f32. Notice that if you take every other number, they double as you go up (2,4,8,16,32 - and 2.8, 5.6, 11,22). These are you primary 'full' stops. Some cameras offer half stops in between, some have 1/3 stops.
Shutter speed has full 'stop' equivalents also. 1/2, 1/4, 1/8, 1/15, 1/30, 1/60, 1/125, 1/250, 1/500, 1/1000. Changing one full 'stop' on your shutter speed is the same as changing a full f/stop on your aperture.
ISO is the same - prime ISO numbers are 100, 200, 400, 800, 1600, 3200, 6400 etc... each is double the former. So changing ISO from 100 to 200 is the same as changing from f/16 to f/11 or changing from 1/500 sec to 1/250.
So it comes down to what effect are you trying to achieve.
The lower the ISO number the less 'noise' in your image, and the further it can be enlarged without problems. Low numbers are for things that move slowly or not at all. Higher ISO numbers are generally used for freezing action or in low light situations.
Use a large aperture (f 2.8) to get a very small depth of field, if you want to produce bokeh - throw the background out of focus. Use a small aperture (f 16) for great depth of field for landscapes.
Use high shutter speeds to freeze action or low ones to show some blurring which can also show action.
If there is not enough light to use the aperture you need, you can lower the shutter speed or increase the ISO.
They all work together to give you the picture you want.
I imagine that the auto setting is convenient for fleeting moments when there isn't time to adjust your camera, but never having had the option with film I guess I don't miss it.
Having learned this in the 1960's I never really u... (
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Great summary, I'm saving it for reference. Thanks!