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Help getting impact on waterscapes
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Jan 30, 2014 22:29:10   #
t_jay Loc: California
 
It looks much larger from that perspective. And very cool frozen with the climbers.

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Jan 30, 2014 22:32:49   #
2da4est Loc: Pennsylvania Laurel Highlands
 
t_jay wrote:
It looks much larger from that perspective. And very cool frozen with the climbers.


I agree. Thanks. I usually don't like people in my shots but cool iceberg climbers, thats different.

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Jan 31, 2014 11:53:40   #
t_jay Loc: California
 
2da4est wrote:
I agree. Thanks. I usually don't like people in my shots but cool iceberg climbers, thats different.


Yes, it is. So many times there are people in your shot because you couldn't figure out a way to get it without the gawkers and random pedestrians, but when they are actually actively participating in some way, especially an unusual or interesting way, with the subject it's different.

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Jan 31, 2014 11:56:35   #
Bruce with a Canon Loc: Islip
 
for my part, I would like to see a tighter aperture on shot 2 for better DOF.

Looks like so much is out of focus the eye is bewildered IMHO

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Jan 31, 2014 12:06:39   #
Blurryeyed Loc: NC Mountains.
 
2da4est wrote:
(hope this is in the right place, I haven't done this before)

I would like some help on getting greater impact on landscape/waterscape shots. I am never happy when I get home and look at them. I have tried many different combinations of settings and am just not happy with them. Attached is one example of a very powerful waterslide area but I have many shots that I have the same issue with.
This one was taken with a d7000 using the 18-105mm f/3.5-5.6 using auto just as an example. I typically shoot manual. I also use a d800 but usually carry the d7000 with the wide angle lens so I don't have to switch lenses. I also have a macro 1:1 lens, 70-300, 300 prime and two teleconverters 1.4 and 2x
Of course none of this is the lens its the user! Any ideas on how to better my landscape photography would greatly appreciated.
Thanks,
zora
aperture f/8
shutter speed 1/250
scene mode Auto
metrix metering
iso 320
(hope this is in the right place, I haven't done t... (show quote)


How about a longer exposure with a ND filter, here is an example of what that might look like.

http://www.flickr.com/photos/30493186@N03/5654111331/in/photolist-9BCNj8-e7thpa-e7MGsC-9ohNr1-agu3t4-9HddVS-81QEVc-bC4aTE-fst1fY-f9ZrAv-f2W2dd-cikkcj-aPNfmr-gfF12f-dPU9pk-9rNM3s-e8TDMp-fQT55Y-fLi5BS-7AWDcn-jpdeNE-ceBhiq-8JtF8C-bWwfMT-hCq4mG-d6rTRU-bpiMup-7ypNzs-d2wF4L-efVm8n-hEKqeU-aP1qsn-a3HZVA-aTmvov-cMjwHh-faHZtG-9DjDni-aTnVEc-aTkQ8K-iHJpbQ-fzfm7P-anDyuJ-aHLZCe-iRycff-cc9Ppj-a1JEar-9GxNcC-ggRusQ-aBaYw7-aT8JD6-afbX4v

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Jan 31, 2014 13:51:28   #
2da4est Loc: Pennsylvania Laurel Highlands
 


Very nice. Looks like a painting. I don't think that would be the effect I was going for. I wanted power and strength. I wanted the same Wow that I get when I first saw it. I want the beauty to show. But thanks. I do smooth the water at times.

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Jan 31, 2014 13:56:36   #
2da4est Loc: Pennsylvania Laurel Highlands
 
Bruce with a Canon wrote:
for my part, I would like to see a tighter aperture on shot 2 for better DOF.

Looks like so much is out of focus the eye is bewildered IMHO


I totally agree with that shot. It was a bad example. And I have had trouble with balancing my aperture with my exposure. I guess I could have gone to aperture priority but that is not something I usually do. What settings would you have used please?

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Feb 5, 2014 01:27:42   #
Patricia Ann
 
are you kidding me, if I took that picture of the waterfall I would be so proud, I truly think it's beautiful. Pat Keravich

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Feb 5, 2014 05:43:15   #
2da4est Loc: Pennsylvania Laurel Highlands
 
Patricia Ann wrote:
are you kidding me, if I took that picture of the waterfall I would be so proud, I truly think it's beautiful. Pat Keravich


Your very kind, thank you.

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Feb 5, 2014 07:58:11   #
sunshooter Loc: Coppell, TX (ouside Dallas)
 
To me, your shots are just too soft. I'd insist on carrying a tripod. I frequently get lazy and leave mine in the car, and usually end up with shots like these. I've started extending one tripod leg and using it as a walking stick, which makes it a bit easier. Try a tripod, close down to increase DOF, and take longer exposures. Be sure to bracket your shots, too. Hope this helps.

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Feb 5, 2014 08:06:03   #
2da4est Loc: Pennsylvania Laurel Highlands
 
sunshooter wrote:
To me, your shots are just too soft. I'd insist on carrying a tripod. I frequently get lazy and leave mine in the car, and usually end up with shots like these. I've started extending one tripod leg and using it as a walking stick, which makes it a bit easier. Try a tripod, close down to increase DOF, and take longer exposures. Be sure to bracket your shots, too. Hope this helps.


I do agree that a lot of mine are soft. I did not think longer exposures helped that, I thought just the opposite which is why I have been going for higher exposures. I will try bracketing, I have not done that for a long while.
Thank you

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Feb 5, 2014 08:21:18   #
sunshooter Loc: Coppell, TX (ouside Dallas)
 
The longer exposures simply are required by closing down to increase DOF. That's why the tripod is so necessary. Another tip would be to use your "burst" mode, to take many shots in a small time period; at least one of them might be very sharp. Using lens lockup helps reduce vibration-cany stabilization features on your lens and/or camera. I think that "motionless" might well be the answer for you. I can't fault your composition at all.

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Feb 5, 2014 08:30:31   #
2da4est Loc: Pennsylvania Laurel Highlands
 
sunshooter wrote:
The longer exposures simply are required by closing down to increase DOF. That's why the tripod is so necessary. Another tip would be to use your "burst" mode, to take many shots in a small time period; at least one of them might be very sharp. Using lens lockup helps reduce vibration-cany stabilization features on your lens and/or camera. I think that "motionless" might well be the answer for you. I can't fault your composition at all.


Thank you. I do use a tripod when I take bird shots and I get what I think are good sharp shots. Then I look at someone else's shots and wonder how do they do that! Yes, motionless is a big thing!

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