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Dec 29, 2013 20:00:42   #
MDI Mainer
 
Woodie Rick wrote:
The case was settled out of court. Absolutely no way to tell which way the judgement would have gone. Each side has an opinion, but neither is the opinion of the court, and the off the cuff opinion of the judge is meaningless.


1. Fairey's elaborate effort to conceal his source certainly suggests guilty knowledge. And he did plead guilty to this Criminal Information, http://www.justice.gov/usao/nys/pressreleases/February12/fairey/faireyshepardinformation.pdf ,and was sentenced to two years of probation for committing criminal contempt of court in connection with the AP copyright litigation; ordered to complete 300 hours of community service; and ordered to pay a $25,000 fine. http://www.forbes.com/sites/billsinger/2012/09/07/obama-hope-and-progress-photo-ends-with-artists-criminal-plea/ So I would not hold him up as a model for others on this site.

2. Your last comment is not representative of most lawyers' experience with bench comments from US District Court judges.

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Dec 29, 2013 21:07:17   #
artBob Loc: Near Chicago
 
MDI Mainer wrote:
In both examples, given that the image is identical, you would be copying the physical work, and thus creating a derivative work, which only the original photographer can lawfully do. It really doesn't matter how you copy the original.

But you can find your own wall and door to photograph, or make a visually different image of the original wall and door, since there is no copyright on the idea itself. Of course, the closer your image gets to a copy of the original, the close you approach infringement.
In both examples, given that the image is identica... (show quote)


Some examples:



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Dec 29, 2013 21:09:08   #
amehta Loc: Boston
 
terry44 wrote:
Modern Language Association Format Citations. They are like the information referencing the works of others that you see in papers, magazines, books, etc.

Thanks. That was on the first page of the google search, but I wasn't sure that it was what you were referring to.

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Dec 29, 2013 21:21:27   #
sirlensalot Loc: Arizona
 
I would think if not sure when the photo was taken, why put so many at risk by taking it?
There have been some good answers, but I do not think enough facts by the OP have been shared to provide clear answers and/or opinions to the question.

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Dec 29, 2013 21:48:06   #
amehta Loc: Boston
 
sirlensalot wrote:
I would think if not sure when the photo was taken, why put so many at risk by taking it?
There have been some good answers, but I do not think enough facts by the OP have been shared to provide clear answers and/or opinions to the question.

I think some of us are convincing the OP to not take the picture.

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Dec 29, 2013 21:59:52   #
Woodie Rick
 
Cool. Again, the case was not resolved through our court system. Until a similar case goes all the way up, the 'Fair Use' issue remains open. U pick the court, they often decide differently. And, each and every case is different...


MDI Mainer wrote:
1. Fairey's elaborate effort to conceal his source certainly suggests guilty knowledge. And he did plead guilty to this Criminal Information, http://www.justice.gov/usao/nys/pressreleases/February12/fairey/faireyshepardinformation.pdf ,and was sentenced to two years of probation for committing criminal contempt of court in connection with the AP copyright litigation; ordered to complete 300 hours of community service; and ordered to pay a $25,000 fine. http://www.forbes.com/sites/billsinger/2012/09/07/obama-hope-and-progress-photo-ends-with-artists-criminal-plea/ So I would not hold him up as a model for others on this site.

2. Your last comment is not representative of most lawyers' experience with bench comments from US District Court judges.
1. Fairey's elaborate effort to conceal his sourc... (show quote)

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Dec 29, 2013 22:10:55   #
Woodie Rick
 
This looks like fun. If I take a picture of a building, or its front door, and it turns out that someone else has also taken a photo from the same angle of the same door or building, am I violating the other photographer's copyright? Whoa! I don't think so. How about that church door in Taos, NM? How about Half Dome in Yosemite? How about the Capitol in Washington D.C.? Washington monument? Give me a break! You cannot copyright an entry way or a mountain or a capitol building.
Besides,
If I use film, I have my original negative---my negative! If I use digital, there is a technical, identifiable difference. Can be shown in court. Is there a pending lawsuit on this issue?


artBob wrote:
Some examples:

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Dec 29, 2013 22:17:00   #
amehta Loc: Boston
 
Woodie Rick wrote:
This looks like fun. If I take a picture of a building, or its front door, and it turns out that someone else has also taken a photo from the same angle of the same door or building, am I violating the other photographer's copyright? Whoa! I don't think so. How about that church door in Taos, NM? How about Half Dome in Yosemite? How about the Capitol in Washington D.C.? Washington monument? Give me a break! You cannot copyright an entry way or a mountain or a capitol building.
Besides,
If I use film, I have my original negative---my negative! If I use digital, there is a technical, identifiable difference. Can be shown in court. Is there a pending lawsuit on this issue?
This looks like fun. If I take a picture of a buil... (show quote)

I think it depends on whether you are simply taking the picture you want to take, or if you are holding the picture you want to "copy" and figuring out how to take the exact same shot.

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Dec 29, 2013 22:28:47   #
Woodie Rick
 
No, I do not think it does matter.

amehta wrote:
I think it depends on whether you are simply taking the picture you want to take, or if you are holding the picture you want to "copy" and figuring out how to take the exact same shot.

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Dec 30, 2013 00:11:59   #
MDI Mainer
 
Some further reasources for those interested:

http://99designs.com/designer-blog/2013/04/19/5-famous-copyright-infringement-cases/

http://www.photoattorney.com/photographer-awarded-summary-judgment-for-copyright-infringment/

http://www.imagerights.com/

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Dec 30, 2013 10:09:23   #
joealdrich Loc: Texas
 
Thanks for the info on derivative works in photography - it's completely different for published music, obviously.

This may seem like a trivial question, but how do museums "get away with" publishing derivative works of the art in their collections with the fancy coffee table photo albums on sale in every gift shop?
When an original work of art is SOLD - doesn't every right go with it? If a museum owns the work, I can see where they could control photos, publication, etc. and freely use images of the artwork as they see fit, and protect their rights from infringement.

In the case of borrowed works, or those of a living artist, are there various "rights" and/or obligations held by the artist as well as the museum, like photo reproduction & merchandising (remember the King Tut stuff)? My guess is that all those things are determined in a contract prior to placing the exhibit on display, subject to some limited use assignments of rights.

And finally, do photos of (outdoor, public) sculpture constitute derivative works? I can see the argument inapplicable since no plane image of the 3D structure is substantially representative of the structure itself. I can also see that a derivative work from a photo of sculpture might be the same type of infringement on the rights of the photographer as the original question here.

This brings to question of how/if photographic reproduction may infringe on the rights of the owner of the sculpture, and would there be any effect on the rights of the artist/sculptor?

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Dec 30, 2013 12:07:19   #
sirlensalot Loc: Arizona
 
So what happens to a copyright if / when the copyright holder dies? Does it automatically become property of his/her estate?
What if their is no will or estate? Anyone know?

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Dec 30, 2013 12:22:06   #
amehta Loc: Boston
 
sirlensalot wrote:
So what happens to a copyright if / when the copyright holder dies? Does it automatically become property of his/her estate?
What if their is no will or estate? Anyone know?

Yes, and for quite a while (50-75 years, I believe).

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Dec 30, 2013 12:34:50   #
sirlensalot Loc: Arizona
 
amehta wrote:
Yes, and for quite a while (50-75 years, I believe).


Even without an estate? Wondering if a family member can sue for infringement on behalf of the copyright holder even outside of the estate, assuming their was none? So, that would mean the copyright remains under the protection of the government that issued the copyright regardless of circumstances until the expiration of the copyright.
Thinking I should have switched to decaf this morning.

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Dec 30, 2013 13:00:12   #
Woodie Rick
 
Copyrights are now for the author's lifetime plus fifty years. The legal heirs of the author have claim to the copyright for that fifty years, but how and who determines 'the rightful heirs' is most often a complex question determined by the courts. Sometimes there are no legal heirs. In that case, there (probably?) would be no one to challenge the use of the artwork by a 'non heir.' One must attempt 'due diligence' to find out if there is a copyright and if there is an heir for any given old art piece. Also, I understand that even without a formal legal copyright, an author of a work still has ownership and can make trouble if someone uses their work without authorization, it follows that a legal heir could also hassle you even without a copyright on the piece. If you are going to use someone else's work, do the due diligence, give them credit if you can find their name, contact them if you can before publishing the work. None of this really matters if you are just going to put up a photo that was done by another on your living room wall, it matters if you publish their work or use it commercially---like the ship picture that started this whole thing: an ad for 'Joe's Seaworthy Ships' using the altered ship picture would probably make for trouble. That's pretty simple.


amehta wrote:
Yes, and for quite a while (50-75 years, I believe).

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