CHOLLY wrote:
Too simplistic.
IF you don't understand context, syntax, grammar, or sentence construction, all the feelings in the world won't communicate ANY ideas at all.
Photography is both art AND science.
But in order to be fully expressive in your art, you MUST understand the science.
That, good sir, is a concept that is NOT so hard to understand or comprehend. ;)
Inspiring discussion. Never being one to just getting my toes wet, when I latched on to photography shortly after retiring, I studied the basic elements and principles of design intensely. I learned and am still learning these because they apply to all types of artistic expression. I practiced them for two years mostly by choosing one aspect for however long it took me to truly feel comfortable with how to incorporate it effectively in the image. For example, are there leading lines available in how I compose the shot that would draw the viewer (and me) to the subject. Or, is what I am seeing and feeling as I stop to compose the shot about patterns and textures? If so, what do I need to do to enhance the composition.
It is one thing to see a compelling image and another to make it. When the seeing and the making come together, sometimes I get a WOW photograph. One more thought worth sharing because I am curious if others can relate to this---When every thing comes together, the feeling I get is akin to the feeling I get when I am target practicing and I know I've hit the bullseye as soon as I pull the trigger before seeing the actual target. This exact same feeling/knowing happens to me when I press the shutter button on a WOW photo. It is an amazing rush and stirs my passion.