Chuck_893 wrote:
I am trepidatiously about to open an ancient can of worms and set off a poop storm of polemic. Before I light the fuse, let me hasten to say that if it aint broke dont fix it! If its working for you, stay the course. Stick with the plan. That said
Why do folks insist that Manual is Better?
I have done due diligence and read back over many, many previous threads on this subject. I get that it is as controversial as Sunni vs. Shia or Protestant vs. Catholic or even RAW vs. Jpeg and can lead to blood feuds.
Probably 99% of my pictures are made in pretty much auto-everything. I adore auto-focus. 90% of the time my camera is in P (Programmed Auto) mode. Ill guess that 99% of my shots come out. 90% of those are terrible, but thats my fault for having no vision. That said, I know how and when to override all of it. I use Programmed Auto (or what-ev-er) because it lets me concentrate on the shot rather than the how-to-get-it. I read about the spot metering and the this and the that, and I wonder if the whole mountain got up and walked off while some folks were still futzing with their exposure triangle, and I know that eagle didn't wait around..
Before the rocks and bottles come over the wall, let me hasten to tell you that I fully get that understanding exposure is totally essential. What I dont get is why so many seem to think/insist that the only way to understand correct exposure is to slavishly shoot only in Manual. Correct exposure is correct exposure is correct exposure. 1/125 @ /16 is 1/125 @ /16 is 1/250 @ /11 is 1/500 @ /8 whether you set it or the camera sets it.
The thing is, I do (understand exposure). I know all about the exposure triangle &c &c ad infinitum ad nauseam. I also fully get that not everyone does. I did not at one time. But I do now.
What I read again and again and again on all the threads on this powder keg of a subject is Creative Control! If you are not shooting in manual, you dont have it (creative control).
Why not?
One of my mentors long ago said, What all photographers ultimately want is to be able to load film between their ears and blink. To my way of thinking, the modern digital camera comes the closest to that ideal that I have ever experienced. Sometimes I cannot believe the utter sense of freeeeedom!
When I was in school, for the first entire year we were required to make all our assignments with a 4x5 camera and turn in the negatives with the assignment so we couldnt cheat. We quickly learned Sunny-16 and all its variants. We learned to use those horrendous old press cameras like Weegee. We got as close as we could with that doddering technology to film-between-the-ears-and-blink. Eventually they allowed us to use our twin-lens 6x6s and even 35mm. We went into the world and tried to earn a living. Spot meters arrived. Flash meters arrived (thank goodness). Auto focus arrived, slow, klutzy, frequently missed the mark (still does), but it was all getting closer to The Ideal.
My beloved Nikons were stolen from my studio (they walked right past the Hasselblads, presumably because they did not know their value). I had to replace them and discovered that, being self-insured, I couldnt afford Nikons. I bought a matched pair of Canon T-90s.
The T-90s had P.S.A.M.!! (Well, TV and AV or somethingI forget
) O frabjous day! We were now a giant-leap-for-mankind closer to film-between-the-ears. The cameras even read the bar codes on the film cassettes so I couldn't screw up and forget to reset the ISO. I learned to be especially taken (pun intended) with Programmed Auto (P). It instantly reduced the-client-is-going-to-sue-me screwups by 100%. Need depth of field? Roll the wheel to a smaller /stop. The camera compensates the shutter, exactly like the coupled shutter/aperture rings on my Zeiss lenses on my Hasselblads. Need action-stopping power? Roll the wheel tother way. WAY fewer blown exposures due to not paying close attention to the Exposure Triangle. YES absolutely you must know your stuff, but why should it matter if you can just lift the camera and shoot, as opposed to o-mi-gosh is it 1/420 at 6.1 and oh-lordy-a-cloud-just-came-over-I-think-I-am-having-a-stroke
:)
Nowadays I just shoot for fun, but Im still making memories and blown shots make me blow my top. Now, admittedly I have memorized the manual and know how to use every bell-and-whistle on the camera. I know how to quickly bias an exposure, sometimes by the simple expedient of spot metering somewhere other than the center of the frame, or just rolling the little bias wheel. But I only use manual when the camera refuses to cooperate any other way. I just can't help but wonder at manual-is-the-only-way
errm, rigidity? Strictness?
Okay. I think Im ready
:mrgreen:
I am trepidatiously about to open an ancient can o... (
show quote)
Manual is simply another wench in the tool box. When I want M nuttin else will do. Most shooters I see use all modes depending on what the situation requires.
Some old farts ( my age ) use manual because we grew up shooting manual cameras. Personally I use different modes to accommodate different circumstances. I realize some folks shoot manual exclusively. That's fair as well as folks that shoot any mode.