lxu532, if you have already bought the gizmos, fine. But, if not why waste the $ just to be part of the calibration religion ... bow to monitor three times a day if that floats your boat. Oh, yes, have your camera calibrated, and make sure your flash is calibrated... perhaps you will have time to take photos and actually do some post-processing. Cartier-Bresson became famous with minimalist equipment and B/W film. It is the timing/subject/composition that counts not the exact calibration of the monitor...yuck.
Graphics cards have built-in calibration programs they work. People speak of subtleties... uh-ha, sure! For what? You have limited response of the camera, the printer/inks/paper or projector, and of course the ambient light in which your print is viewed. Of course, the viewers prefer vivid, kick in the fanny colors, red is a winner.
Color gambit, range, is important....But, Ken Rockwell says "Ignore desktop armchair hobbyists who bleat on about the broader color gamut of Adobe RGB. I've created and printed 100% chroma grads in Adobe RGB and sRGB and saw no difference when printed either on Inkjets or on the $250,000 Lightjet 5000 on Fuji Supergloss. Oh well! Using Adobe RGB is asking for trouble unless you really know what you're doing and have complete control over your process. If you have to ask, don't use Adobe RGB."
"There's nothing wrong with the dummy modes; use them if they save you time. I use the PORTRAIT mode for people since I usually have my camera's colors cranked up."
http://www.kenrockwell.com/nikon/d50/d50-settings-menus-shooting.htmQuestion: Why would you worry abut subtleties when your going to kick the colors, use "Fuji Bright Film" setting, high gloss paper, and view under tungsten light...????
lxu532, if you have already bought the gizmos, fin... (