Beagleman wrote:
I know I am way over my head in even thinking about commenting in this topic.....
HOWEVER, I meekly venture this:
The first time I posted here I shared a pose from my granddaughter's wedding, because of the tender love that came through in the pose. Immediately, a poster that I had never seen on the site before or since came down on me like a ton of bricks with "Why didn't you take out that crack in the barn siding behind them? etc etc." Frankly I didn't know HOW to do that or I would have. I don't have lightroom or photoshop. I do have Irfanview, but am struggling to use even that. I have gotten that sort of response a few times since then also. Not always, but sometimes when I know I need help, but don't get it.
Many of us KNOW what is wrong with a photo, but all too seldom does anyone offer the HOW TO that we need to improve it. I am probably out of line in even saying this, but CC should be helpful so that a person can learn and grow from it.
--Beagleman
I know I am way over my head in even thinking abou... (
show quote)
First, realize that not everything the critic says is necessarily "correct" -- you have to use your judgement.
Second, a fair minority of critics suffer from a distinct lack of tact. It's not that they shouldn't offer critical observations, but that they too often forget how those critiques can affect the psyche of the photographer, particularly a new photographer.
Third, to the critics, try to give the critique an aire of encouragement. At least the photographer had the guts to put the photo up for review, don't rip them to the point that there's no enthusiasm left. Oh, and if you point out a flaw or shortcoming, try to give some advice on a way to reduce or eliminate the flaw and improve the image
To those looking for criteria. There are no absolutes, but there are some guidelines. Below are twelve criteria used by the Professional Photographers of America to judge images in competition:
1.Impact is the sense one gets upon viewing an image for the first time. Compelling images evoke laughter, sadness, anger, pride, wonder or another intense emotion.
2.Creativity is the external expression of the imagination of the maker by using the medium to convey an idea, message or thought.
3.Style is defined in a number of ways. It might be defined by a specific genre or simply be recognizable as the characteristics of how a specific artist applies light to a subject. It can impact an image in a positive manner when the subject matter and the style are appropriate for each other, or it can have a negative effect when they are at odds.
4.Composition is important to the design of an image, bringing all of the visual elements together in concert to express the purpose of the image. Proper composition holds the viewer in the image and prompts the viewer to look where the creator intends. Effective composition can be pleasing or disturbing, depending on the intent of the image maker.
5.Print Presentation affects an image by giving it a finished look. The mats and borders used should support and enhance the image, not distract from it.
6.Center of Interest is the point or points on the image where the imagemaker wants the viewer to stop as they view the image. There can be primary and secondary centers of interest. Occasionally there will be no specific center of interest and the entire scene collectively serves as the center of interest.
7.Lighting (the use and control of light) refers to how dimension, shape and roundness are defined in an image. Whether the light applied to an image is manmade or natural, proper use of lighting should enhance an image.
8.Subject Matter should always be appropriate to the story being told in an image.
9.Color Balance supplies harmony to an image. An image in which the tones work together effectively supporting the image, can enhance its emotional appeal. Color balance is not always harmonious and can be used to evoke diverse feelings for effect.
10.Technical Excellence is the print quality of the image itself as it is presented for viewing. Sharpness, exposure, printing, mounting, and correct color all speak to the qualities of the physical print.
11.Technique is the approach used to create the image. Printing, lighting, posing, paper selection and other elements are part of the technique applied to an image.
12.Storytelling refers to the ability of the image to evoke imagination. One beautiful thing about art is that each viewer might collect his own message or read her own story in an image.
It's no accident that technical excellence, technique, and storytelling are the last three listed rather than the first. That by no means says that these aren't important, only that there are other aspects the either singly or as a group may be more important.
I've wasted enough bandwidth for now, so I'll let the bands contract for a while.