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Another one of my favorites! Please critique!
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Dec 8, 2011 11:30:24   #
dmabney
 
Tell me what you think and suggestions on improving.



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Dec 8, 2011 12:33:44   #
dkfotografi Loc: Midwest
 
Great photo IMO, don't care for the door knob behind his head though it's kinda distracting to me & I hope he didn't hit his head on it! (:

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Dec 8, 2011 12:39:53   #
dmabney
 
I totally agree with you, probably should have had him on the other side of door.
dkfotografi wrote:
Great photo IMO, don't care for the door knob behind his head though it's kinda distracting to me & I hope he didn't hit his head on it! (:

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Dec 8, 2011 13:51:53   #
the_imaginist Loc: St. Louis, MO
 
If it's real bothersome that might be able to be fixed in Photoshop.

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Dec 9, 2011 08:25:30   #
OnTheFly Loc: Tennessee
 
I like it.

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Dec 9, 2011 09:21:04   #
Patw28 Loc: PORT JERVIS, NY
 
[quote=dmabney]I totally agree with you, probably should have had him on the other side of door. [quote

No, he's got have space to gaze into. Since you want the door, that puts hi on the right side. (Maybe just left of the knob?)

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Dec 9, 2011 09:57:19   #
omnila
 
I'm no expert ,great shot but that door knob?

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Dec 9, 2011 10:25:59   #
northshore Loc: St. Paul, MN
 
I would move him to the left side of the door looking right, keep the door straight (or much more angled), be sure his eye is in sharp focus, and get his hands up so no fingers are cut off. I guess I'm suggesting a reshoot... with lots of shots from lots of angles, high, low, farther away. The door is a great background and he's a great model-- it seems there's more you can do with the material you've got.

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Dec 9, 2011 10:35:11   #
nyweb2001
 
The shot looks fine to me ! I might straighten a little as it leans to the right ! All in all the shot has a good feel to it !

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Dec 9, 2011 11:22:33   #
jacksdvds Loc: Ft. Mohave, AZ
 
Sit him on a couple of phone books to block the knob. Add some snap to the pic.
dmabney wrote:
Tell me what you think and suggestions on improving.

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Dec 9, 2011 12:36:44   #
northshore Loc: St. Paul, MN
 
northshore wrote:
I would move him to the left side of the door looking right, keep the door straight (or much more angled), be sure his eye is in sharp focus, and get his hands up so no fingers are cut off. I guess I'm suggesting a reshoot... with lots of shots from lots of angles, high, low, farther away. The door is a great background and he's a great model-- it seems there's more you can do with the material you've got.


I guess what I'm trying to say is that you have the makings here of a truly great photograph rather than a merely good one. But it takes some thought and work to get there. I'd love to see more of your work, and I'd urge you to make, rather than just take, lots of photographs.

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Dec 9, 2011 13:06:39   #
S_Schons Loc: Iowa
 
I like the picture but the door knob is distracting, He looks like he is banging his head on it.

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Dec 9, 2011 14:15:49   #
davedeuce
 
I would have him om the other side facing, but not looking at, the knob. That would add an element of balance IMHO.

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Dec 9, 2011 16:39:31   #
jwrawlinson
 
dmabney. A very interesting photo. I suggest that you use the subject at several angles in this location to see how you can adjust for the best image. For those early to posing subjects, I feel that they, (you), take many different images using different cropping, expressions, moving the subject. You can never take too many photos at a "shoot."

This image shows a relaxed person in an interesting position. However, this is what is called a split-profile. One we usually try to avoid. The line of the nose cuts into the right eye. In a true profile the right eye will not be seen at all. In a two-thirds the right eye will show to just the point of that little round spot in the eye. The turn of the shoulders is quite nice. Many shoot too much directly into the body which is appropriate for passports but a disappointment in a photo of this nature. You have done one thing that makes for an outstanding photo and that is not having the subject look directly into the camera and this is usually more appealing.

A repeat of this setting might be to have the subject with his elbow on his knee and hand to his chin.

Good effort.
jwraw

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Dec 9, 2011 17:11:22   #
Bruce H Loc: Oregon Coast
 
jwrawlinson wrote:
dmabney. A very interesting photo. I suggest that you use the subject at several angles in this location to see how you can adjust for the best image. For those early to posing subjects, I feel that they, (you), take many different images using different cropping, expressions, moving the subject. You can never take too many photos at a "shoot."

This image shows a relaxed person in an interesting position. However, this is what is called a split-profile. One we usually try to avoid. The line of the nose cuts into the right eye. In a true profile the right eye will not be seen at all. In a two-thirds the right eye will show to just the point of that little round spot in the eye. The turn of the shoulders is quite nice. Many shoot too much directly into the body which is appropriate for passports but a disappointment in a photo of this nature. You have done one thing that makes for an outstanding photo and that is not having the subject look directly into the camera and this is usually more appealing.

A repeat of this setting might be to have the subject with his elbow on his knee and hand to his chin.

Good effort.
jwraw
dmabney. A very interesting photo. I suggest that ... (show quote)



I liked this response, good information!

I wonder about cutting of his shoulder?

If he was put on the other side of the door how would the door knob be delt with?

Would it be better to raise up a bit and block view the knob completly?

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