northshore wrote:
I would move him to the left side of the door looking right, keep the door straight (or much more angled), be sure his eye is in sharp focus, and get his hands up so no fingers are cut off. I guess I'm suggesting a reshoot... with lots of shots from lots of angles, high, low, farther away. The door is a great background and he's a great model-- it seems there's more you can do with the material you've got.
I guess what I'm trying to say is that you have the makings here of a truly great photograph rather than a merely good one. But it takes some thought and work to get there. I'd love to see more of your work, and I'd urge you to make, rather than just take, lots of photographs.