No, it's not depth of field. DoF is the zone of acceptable sharpness on either size of the focal point (with, of course, 'acceptable' open to dispute). Bokeh is how the out of focus areas look. Three more quotes from
http://www.rogerandfrances.com/subscription/bokeh.html"Admittedly, some photographers seem to be a lot more sensitive to bokeh than others. Some don't notice at all; to some, it is the be-all and end-all; and in between, the vast majority of photographers are more or less aware of it."
"The first thing to bear in mind about bokeh, therefore, is that while it is a useful word and describes a recognizable (if not easily describable) phenomenon, it is partly a fashionable buzz-word, and it can be interpreted in widely different ways. What one person calls 'beautiful, swirly bokeh', another will see as queasy. We cannot quite see what either party means."
and
"Bokeh is one of those things like grey cards and the Zone System in that while it is very useful in its place, it attracts fanatics and people who think they know a great deal more about photography than they do. Many are inclined to attribute everything good in photography to their pet hobby horse, much like those who believe in gurus. Don't be intimidated by bokeh, and don't overrate it if it's not important to you. If it is important to you, then the very best of luck to you, but remember that others may not share your opinion of its importance."
You may think it's overrated (it often is); you may be unable to see it; you may refuse to see it. But to deny the existence of something that other people CAN see is, to put it mildly, a little eccentric.
@Eugene, another quote:
"Although the word is hopelessly over-used by some people, it is far from useless, as it replaces the somewhat cumbersome phrase that was in use before: the quality of the out-of-focus image. Long before the new word came into use, certain lenses had been prized for this: the original Voigtländer Apo-Lanthar was one. Others were generally agreed to have a rather nasty out-of-focus image: the doughnuts from a mirror lens, for example, or the 'wiry' way in which a Thambar may render fine lines."
There are examples of all this in the referenced link.
Cheers,
R.