Strodav wrote:
Have you noticed that on bright sunny days your photos have more contrast, seem sharper, colors seem to pop, and you see deep shadows. On overcast days, photos look flatter, softer, colors are less saturated, but shadows are less pronounced. The human visual system perceives higher contrast as sharper. That's why applying an S curve in the mid-tones (where the subject usually is) makes an image pop. Note: sharpness is different than detail. Detail is determined by how many pixels you have on the subject and the quality of the lens. Sharpness can be adjusted in Post. Of course, you can overdo it.
Have you noticed that on bright sunny days your ph... (
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"The human visual system perceives higher contrast as sharper. " This is an interesting comment and paragraph.
Coming from film, and doing a lot in black and white, I can't recall when I started using sharp as a description. Did it come into being with digital photography?
Gonna have to do some research, partly because "sharpness" is rarely a goal for me. I much prefer overdoing color saturation
Delderby wrote:
As we view the scene in front of us our eyes adjust contrast as an immediacy, continually providing us with the best detail. A still camera can only reproduce what our eyes saw in the moment the shutter fired. The rest is PP, which artificially adjusts the moment.
You're referring to light and dark only? Because, as already demonstrated and discussed, there are many kinds of contrast that don't require artificial insemination
billnikon wrote:
Contrast to me is showing extreme differences, rough vs. smooth, light vs. dark, good vs. evil, white feathers vs. blackish backgrounds.
Wowsa, all in one jaw-dropping, amazing photo!
1. Color Intensity: Contrast can be created by using colors that are opposite or significantly different from each other on the color wheel. For example, pairing a vibrant red against a deep blue or a bright yellow against a dark purple creates a striking contrast.
The stark difference in color intensity draws attention and creates visual impact
2. Light and Dark Contrast: Contrast can also be achieved through variations in lightness and darkness. Combining colors with different brightness levels can create a strong visual separation and add depth to an image. For instance, placing a bright object against a dark background or vice versa can generate a compelling contrast.
3. Warm and Cool Colors: Another way to create contrast with colors in photography is by using warm and cool tones. Warm colors, such as reds, oranges, and yellows, tend to advance and grab attention, while cool colors, like blues and greens, recede and provide a sense of calm.
Combining warm and cool colors within a composition can result in a visually striking contrast.
4. Complementary Colors:
Complementary colors are pairs of colors that are opposite each other on the color wheel, such as red and green or blue and orange.
Utilizing complementary colors in a photograph can generate a high level of contrast, as they intensify each other when placed together. This creates a dynamic visual effect that can be very appealing.
5. Monochrome Contrast: Contrast can also be achieved in monochrome or black-and-white photography. In this case, it involves variations in shades of gray. Pairing lighter grays with darker grays or incorporating a wide range of tonal values can produce a strong contrast and enhance the overall impact of the image.
I’ve attached 2 pics that I believe work showing contrast.
Navywife66 wrote:
1. Color Intensity: Contrast can be created by using colors that are opposite or significantly different from each other on the color wheel. For example, pairing a vibrant red against a deep blue or a bright yellow against a dark purple creates a striking contrast.
The stark difference in color intensity draws attention and creates visual impact
2. Light and Dark Contrast: Contrast can also be achieved through variations in lightness and darkness. Combining colors with different brightness levels can create a strong visual separation and add depth to an image. For instance, placing a bright object against a dark background or vice versa can generate a compelling contrast.
3. Warm and Cool Colors: Another way to create contrast with colors in photography is by using warm and cool tones. Warm colors, such as reds, oranges, and yellows, tend to advance and grab attention, while cool colors, like blues and greens, recede and provide a sense of calm.
Combining warm and cool colors within a composition can result in a visually striking contrast.
4. Complementary Colors:
Complementary colors are pairs of colors that are opposite each other on the color wheel, such as red and green or blue and orange.
Utilizing complementary colors in a photograph can generate a high level of contrast, as they intensify each other when placed together. This creates a dynamic visual effect that can be very appealing.
5. Monochrome Contrast: Contrast can also be achieved in monochrome or black-and-white photography. In this case, it involves variations in shades of gray. Pairing lighter grays with darker grays or incorporating a wide range of tonal values can produce a strong contrast and enhance the overall impact of the image.
I’ve attached 2 pics that I believe work showing contrast.
1. Color Intensity: Contrast can be created by usi... (
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For me, #1 is high-impact for your hiding the sun with sharply angled black forms.
Linda From Maine wrote:
You're referring to light and dark only? Because, as already demonstrated and discussed, there are many kinds of contrast that don't require artificial insemination
Yes - but surely light and dark are the controlling visual influences of photography - which I understand this forum is about,
Linda From Maine wrote:
For me, #1 is high-impact for your hiding the sun with sharply angled black forms.
Thank you! What started off as a bland sunset ended with a surprise of color!
Navywife66 wrote:
Thank you! What started off as a bland sunset ended with a surprise of color!
I've heard you should never give up with a sunset 'til it's too dark to shoot
I prefer being out at sunrise and watching the world awaken, but any color is very fleeting.
Delderby wrote:
Yes - but surely light and dark are the controlling visual influences of photography - which I understand this forum is about,
So, you're dismissing the role of the other contrasts discussed so far in the thread as relate to interest and impact of a photo?
Linda From Maine wrote:
I've heard you should never give up with a sunset 'til it's too dark to shoot
I prefer being out at sunrise and watching the world awaken, but any color is very fleeting.
Does photographing sunsets / rises need particular photographic skills?
Linda From Maine wrote:
I've heard you should never give up with a sunset 'til it's too dark to shoot
I prefer being out at sunrise and watching the world awaken, but any color is very fleeting.
I’ve been rewarded before by waiting for the sunset to explode and some times it just doesn’t happen. However the reward is when it does!
The view from my backyard of the sunrise are merely a fleeting glimpse of the longer lasting sunrise in Surf City!
Delderby wrote:
Does photographing sunsets / rises need particular photographic skills?
No and not even a fancy camera as a cell phone will do the job! 😉
RoswellAlien wrote:
👍well put.
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