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Old Film
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Apr 5, 2024 14:12:57   #
coolhanduke Loc: Redondo Beach, CA
 
Owning a photo lab, I often had people bring in old film.
We would develop it and got many different results.
It all depends on how it's been stored. If in a dark, cool place you may get some good images.
Otherwise, who knows.
just get it developed.

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Apr 5, 2024 14:14:19   #
coolhanduke Loc: Redondo Beach, CA
 
Sounds like their developer was weak. If they do not run a lot of film it does not get replenished like it should therefore getting old and weak.

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Apr 5, 2024 21:43:17   #
Retina Loc: Near Charleston,SC
 
I didn't read all the posts but I can share a recent experience. If found a 20 year old color print roll that yielded some very dark green tinted prints. In the film days the images would have been hard to save, but even with some simple digital processing I managed to get some priceless prints. These old rolls are little time capsules.

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Apr 6, 2024 06:28:17   #
Artcameraman Loc: Springfield NH
 
Yes, all the time. CC3e0 was just about standard.

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Apr 6, 2024 09:19:34   #
JohnSwanda Loc: San Francisco
 
BebuLamar wrote:
Yes there is both push and pull processing. push processing is to over develop by develop the film longer to compensate for underexposure. Pull processing is the reverse, develop for shorter time to compensate for overexposure. I did it back in the late 70's because the fastest slide film was only 200 so I need to push for high speed. Today I would never want push or pull as both have negative effect on the quality. If I need high ISO I shoot digital. I now only use 160 film as the fastest.


While push processing is usually used to increase ISO in low lighting, pull processing is used to lower contrast by using a lower ISO and then reducing development in order to decrease contrast, such as a sunny day with deep shadows.

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Apr 6, 2024 09:43:46   #
Retina Loc: Near Charleston,SC
 
JohnSwanda wrote:
While pull [you meant push, perhaps] processing is usually used to increase ISO in low lighting, pull processing is used to lower contrast by using a lower ISO and then reducing development in order to decrease contrast, such as a sunny day with deep shadows.

My favorite ASA for Plus-X was 32 and 50 for Tri-X. One of the major magazines in the early 70's also rated Tri-X best at ASA 50. The higher standard, or published ASA ratings were compromises between the need for speed while maintaining acceptable latitude ranges and IQ. My compliments to anyone who managed to push color films while maintaining good color balance.

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Apr 6, 2024 09:50:29   #
JohnSwanda Loc: San Francisco
 
Retina wrote:
My favorite ASA for Plus-X was 32 and 50 for Tri-X. One of the major magazines in the early 70's also rated Tri-X best at ASA 50. The higher standard, or published ASA ratings were compromises between the need for speed while maintaining acceptable latitude ranges and IQ. My compliments to anyone who managed to push color films while maintaining good color balance.


I did mean push, and I was able to change it. I knew a photographer who shot Tri-X at 50 and got beautiful shadow detail.

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Apr 6, 2024 10:59:22   #
Scruples Loc: Brooklyn, New York
 
Since film is not dead, I would like to suggest purchasing film from Film Photography Project and B&H. Occasionally, I will purchase a handful of film with different ASAs. I keep a Sekonic light meter in my bag with my Canon EOS Rebel 2000. With virtually no effort I repaired the door latch and the door. The door was a date back version which was a nice addition back then. Sad that I can’t use the feature.I replaced the date back door and keep it in a drawer.
You can order processing from Great American Photo Lab. They changed their name from North Coast Photo Lab. They have not disappointed even after I had experimented with the film I had purchased.

I would like to thank all the Hoggers who explained Push Processing and Pull Processing.
It was also very interesting to learn about Lost Rolls America.

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