A LITTLE BACKGROUND: I've been taking pictures since 1958 when my grandmother bought me my first camera, a Kodak Brownie Hawkeye. I like to think that those simple beginnings brought me to where I am today. I currently sell my work domestically and internationally through two websites. I'm self-trained but have taken a class here and there on lighting techniques and darkroom operations. With the dawn of digital imaging, I have left the darkroom in favor of digital editing.

THE EMOTION OF PHOTOGRAPHY: I now have the time (I'm retired) to travel and explore with my cameras. While I have been known to take more than 5,000 photos in a single day, I try to be selective with my scenes. The only time I take a large number of shots is when photographing wildlife. That said, I have spent hours in a single location; shooting from different angles and changing light. The overriding factor in this is how I felt about the scene. What was I thinking, feeling, and remembering while I viewed the subject? There is a line in the Star Trek IV "The Voyage Home" where the testing computer asks Spock "How do you feel?" That is how I approach my photography. I take notes about the scene and what I was feeling and why I stopped to take those photos. I do the same thing in post-production processing. What I felt plays a part in how I crop the scene and adjust the lighting.
Last year I began writing stories and poetry to mate with my photographs. All of those works have been copyrighted and are now being published into a series of photo/poetry books. Here is an example: "Abandoned Buckboard"

THOUGHTS? COMMENTS?

A LITTLE BACKGROUND: I've been taking pictures since 1958 when my grandmother bought me my first camera, a Kodak Brownie Hawkeye. I like to think that those simple beginnings brought me to where I am today. I currently sell my work domestically and internationally through two websites. I'm self-trained but have taken a class here and there on lighting techniques and darkroom operations. With the dawn of digital imaging, I have left the darkroom in favor of digital editing.

THE EMOTION OF PHOTOGRAPHY: I now have the time (I'm retired) to travel and explore with my cameras. While I have been known to take more than 5,000 photos in a single day, I try to be selective with my scenes. The only time I take a large number of shots is when photographing wildlife. That said, I have spent hours in a single location; shooting from different angles and changing light. The overriding factor in this is how I felt about the scene. What was I thinking, feeling, and remembering while I viewed the subject? There is a line in the Star Trek IV "The Voyage Home" where the testing computer asks Spock "How do you feel?" That is how I approach my photography. I take notes about the scene and what I was feeling and why I stopped to take those photos. I do the same thing in post-production processing. What I felt plays a part in how I crop the scene and adjust the lighting.
Last year I began writing stories and poetry to mate with my photographs. All of those works have been copyrighted and are now being published into a series of photo/poetry books. Here is an example: "Abandoned Buckboard"

THOUGHTS? COMMENTS?

A LITTLE BACKGROUND: I've been taking pictures since 1958 when my grandmother bought me my first camera, a Kodak Brownie Hawkeye. I like to think that those simple beginnings brought me to where I am today. I currently sell my work domestically and internationally through two websites. I'm self-trained but have taken a class here and there on lighting techniques and darkroom operations. With the dawn of digital imaging, I have left the darkroom in favor of digital editing.

THE EMOTION OF PHOTOGRAPHY: I now have the time (I'm retired) to travel and explore with my cameras. While I have been known to take more than 5,000 photos in a single day, I try to be selective with my scenes. The only time I take a large number of shots is when photographing wildlife. That said, I have spent hours in a single location; shooting from different angles and changing light. The overriding factor in this is how I felt about the scene. What was I thinking, feeling, and remembering while I viewed the subject? There is a line in the Star Trek IV "The Voyage Home" where the testing computer asks Spock "How do you feel?" That is how I approach my photography. I take notes about the scene and what I was feeling and why I stopped to take those photos. I do the same thing in post-production processing. What I felt plays a part in how I crop the scene and adjust the lighting.
Last year I began writing stories and poetry to mate with my photographs. All of those works have been copyrighted and are now being published into a series of photo/poetry books. Here is an example: "Abandoned Buckboard"

THOUGHTS? COMMENTS?

A LITTLE BACKGROUND: I've been taking pictures since 1958 when my grandmother bought me my first camera, a Kodak Brownie Hawkeye. I like to think that those simple beginnings brought me to where I am today. I currently sell my work domestically and internationally through two websites. I'm self-trained but have taken a class here and there on lighting techniques and darkroom operations. With the dawn of digital imaging, I have left the darkroom in favor of digital editing.

THE EMOTION OF PHOTOGRAPHY: I now have the time (I'm retired) to travel and explore with my cameras. While I have been known to take more than 5,000 photos in a single day, I try to be selective with my scenes. The only time I take a large number of shots is when photographing wildlife. That said, I have spent hours in a single location; shooting from different angles and changing light. The overriding factor in this is how I felt about the scene. What was I thinking, feeling, and remembering while I viewed the subject? There is a line in the Star Trek IV "The Voyage Home" where the testing computer asks Spock "How do you feel?" That is how I approach my photography. I take notes about the scene and what I was feeling and why I stopped to take those photos. I do the same thing in post-production processing. What I felt plays a part in how I crop the scene and adjust the lighting.
Last year I began writing stories and poetry to mate with my photographs. All of those works have been copyrighted and are now being published into a series of photo/poetry books. Here is an example: "Abandoned Buckboard"

THOUGHTS? COMMENTS?