TriX wrote:
Not for me.
Dismissing the weight, size, sharpness, speed and subject isolation advantage of primes is, in my opinion, a mistake (I have roughly an even number of each). There are now some excellent zooms, and I typically keep a 24-105L on my FF Canon and a 16-80 on my crop Fuji, but when I get really serious about IQ, low light, weight, portraits or subject isolation, I reach for my primes. Take your 70-200 f2.8 off and try an 85 f1.5, a 135 f2 or a 200 f2 instead, and you’ll know why.
Those last three you mention are great when you need background blur, isolation, and bokeh effects. You get to zoom with your feet, which can be a very good thing indeed, because it teaches you to experiment with perspectives. But zooms are the staples of most pros these days, because they save time.
I think the answer as to what gear to use is, "It depends... on the situation." If I'm recording a video interview, or making a head-and-shoulders portrait, the 85mm FF equivalent is usually my go-to choice. If I'm doing any more-than-casual close-up work, or copy work, I'll grab the macro lens. The 24-70mm FF equivalent is my most-used lens. For travel, I'll take the longer zoom, too.