lmTrying wrote:
So, are you saying that setting the white balance in camera will negate the in camera raw file and change it to a jpeg?
If your camera is set to produce a raw file, it will produce a raw file (.CR2 or .CR3 for your cameras, .ARW or .ORF for mine). Every manufacturer has a different file format for these files. Raw files contain raw sensor data and sometimes a small thumbnail image produced by the JPEG engine.
If your camera is set to produce a JPEG file (usually has file extension .JPG or .jpg), the camera applies processing to the raw data including white balance, sharpening, contrast manipulations, other color shifts such as increasing vibrancy or saturation or converting to monochrome, and noise reduction. It then saves the result as a JPEG file.
If your camera is set to produce a raw file and your camera raw format includes a thumbnail, it will be a small version of what would be saved as a JPEG. Some operating systems will display this thumbnail when you look at the raw file in the file manager the same way they show a tiny version of the JPEG files in the folder.
If your camera is set to produce both a raw file and a JPEG, you will get both of these files. Creation of the JPEG file does not prevent creation of the raw file. If the camera is set to only produce JPEG, it will only produce the JPEG. If the camera is set to produce only raw, it will only produce raw files (though this may contain a thumbnail as I’ve described above). If the camera is set to produce both types of files, it will produce both.
Some cameras have “creative modes” (name varies by manufacturer) that create effects like pinhole, color washes, color isolation, or film effects. For some of these cameras, shooting in these modes will only produce a JPEG, even if the camera is set to produce raw files. It makes sense that the camera will produce a JPEG, because the raw file does not contain any of the processing manipulations that result in the effect you’ve chosen.
Some cameras will also only produce JPEGs when in a fully automatic mode (that is, something other than Aperture Priority, Shutter Priority, or whatever P stands for, which I can never remember; this mode is usually green on the mode dial).