flyboy61 wrote:
Not trying to start a huge, mostly repetetive discussion: BUT...I just received a new filter in the mail. It was from an "offshore" location, and warnings about counterfeit items of brand name items are a concern.
I USE UV "protection" filters. Why? It seems to me a lot of current lenses' front elements are very close to the physical front ends of my lenses, and lens hoods alone may not provide the protection needed. Also, a hood and filter saved a lens from certain damage in my dim past.
I've read pro and con, and it seems to me using them makes sense. YMMV
There is some concern regarding "loss of sharpness", and I was quick to test that. I have a good quality pair of binoculars, and focused one side of them on the roof of a house across the street. I interposed the filter between the binocular lens...quickly, so my eye wouldn't begin to compensate for any unsharpness. No observable difference between the binocular image with or without the filter! The first time I tried this, I had to trash about 1/3 of my filters for definite image degradation.
This isn't original with me. Ken Rockwell mentioned it on his website. It seems to work just fine!
Not trying to start a huge, mostly repetetive disc... (
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Straight answer- no sarcasm or silliness!
Any filter, placed in the light path has the potential to degrade the image per sharpness and can cause additional flare (loss of contrast or obliteration of part of the image) in certain lighting conditions where extraneous light might strike the lens. These undesirable effects, however, may be so infinitesimal that they are undetectable even with a greater degress of image enlargement. The important caveat is that the filter should be well crafted, optically parallel, and coated. There are some filters, in the marketplace, that do not make the grade.
I use filters made by Zeiss, B+W, and Sing-Ray. Some other brands have good reputations, but these are the brands I have first-hand experience with and can vouch for.
I do not use protective filters at all times. My lenses are not subject to damage in the studio. I don't do much work in rough terrain but I often work in heavy industrial settings with abrasive airborne particles, welding or smelting operation, sawdust, and in manufacurig kitchens with the potential for splatter, steam, etc.- on, go the filters.
Years ago, in the film era, the skylight filters sufficed as protective filters. These filters may have a slight so there are clear protectives that have no coloration.
It is a good practice to use a lens shade, with, and without a filter to avoid flare.
Remember that a filter will offer protection against smudging, scratches, and some airborne hazards. They will not withsat severe impact and may shatter and exacerbate lens damage. A les shad may add a ltt additin protection but that is not what it is intended for.
If a camera or lens is dropped or seriously impacted, the filter frame may deform and cause additional damage to the filter mount and threads. A poorly crafted filter may have a soft rim that can jam or cross-thread even if they are not impacted.
Unfortunately, there are too many "NEVER" camps in photograhy- folks who do not believe in compromise.
If I am shooting a job for a photomural or where super extreme sharpness may be a requirement, I might not use a filter just to be on the safe side although I know the difference may only be detectable on a special optical analyzation instrument. In a factory, with every manner of airborne hazards, the filters go on. I have been doing this work for going on 6-decades- had to replace the front element on one Hasselblad lens NOT GOOD!$$$$ One learns one's lessons!