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Oct 7, 2023 21:38:35   #
waegwan Loc: Mae Won Li
 
rockdog wrote:
Thank you waegwan, back in those days, I bought Kodak Tri-X in 100 ft rolls, and developed it by often pushing a full stop or more. I sort of embraced the grain. The pleasant surprise is how much fun it is to work with these as digigal files. I appreciate you taking the time to comment.
Phil


Interesting, in those days I was shooting mostly 120 in TLRs. I too enjoy grain and high contrast. I shot a lot of Pan-X 100 because it was all I could get in 120 but every once in a while I'd get a roll of Tri-X 400. I developed my own film and made my own prints but it was community dark room so I had no control over the temp or age of the chemicals. It was always a little tricky to see what I'd get. Fortunately I enjoyed the time at the enlarger doing test strips, tilting, dodging and burning. I have just recently gotten a film scanner and started in that. :-)

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Oct 7, 2023 23:36:28   #
rockdog Loc: Berkeley, Ca.
 
waegwan wrote:
Interesting, in those days I was shooting mostly 120 in TLRs. I too enjoy grain and high contrast. I shot a lot of Pan-X 100 because it was all I could get in 120 but every once in a while I'd get a roll of Tri-X 400. I developed my own film and made my own prints but it was community dark room so I had no control over the temp or age of the chemicals. It was always a little tricky to see what I'd get. Fortunately I enjoyed the time at the enlarger doing test strips, tilting, dodging and burning. I have just recently gotten a film scanner and started in that. :-)
Interesting, in those days I was shooting mostly 1... (show quote)


I loved my Yashica Mat and working with that larger format. In the late sixties and early seventies, I lived in San Francisco and had a not-too-convenient dark room in my apartment, but I lived a few blocks away from a city parks and recs, extremely well-run community dark room. I loved my time in the darkroom and for the past few years I have been trying to learn my way around the digital darkroom. Working with my old film in digital format has been a pleasant reminder of how much can be done with a B&W print. The cool news is that all of our old processes and goals can be accomplished faster, cheaper, with more control and finer, more specific application in the digital darkroom. You are going to have some fun!
Best, Phil

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Oct 8, 2023 02:41:45   #
waegwan Loc: Mae Won Li
 
rockdog wrote:
I loved my Yashica Mat and working with that larger format. In the late sixties and early seventies, I lived in San Francisco and had a not-too-convenient dark room in my apartment, but I lived a few blocks away from a city parks and recs, extremely well-run community dark room. I loved my time in the darkroom and for the past few years I have been trying to learn my way around the digital darkroom. Working with my old film in digital format has been a pleasant reminder of how much can be done with a B&W print. The cool news is that all of our old processes and goals can be accomplished faster, cheaper, with more control and finer, more specific application in the digital darkroom. You are going to have some fun!
Best, Phil
I loved my Yashica Mat and working with that large... (show quote)



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Oct 8, 2023 09:47:56   #
jaymatt Loc: Alexandria, Indiana
 

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Oct 8, 2023 17:04:03   #
rockdog Loc: Berkeley, Ca.
 
jaymatt wrote:


Thank you, John!

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Oct 10, 2023 15:51:25   #
topcat Loc: Alameda, CA
 
Nice work. I like it

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Oct 12, 2023 17:11:02   #
rockdog Loc: Berkeley, Ca.
 
topcat wrote:
Nice work. I like it


Thank you, topcat.

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Oct 28, 2023 11:40:13   #
photophile Loc: Lakewood, Ohio, USA
 
rockdog wrote:
Fair Oaks, California 1968
The slow work of the American River reveals a geologic map.



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Oct 28, 2023 14:41:05   #
rockdog Loc: Berkeley, Ca.
 
photophile wrote:


Thank you, Karin!

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