I'll make this the last of these 'painterly' tests for a while, don't want to bore you! The second image has appeared here a couple of years back in its original form. This one was modified after receiving critique and also had a figure added. Needless to say it's a composite, all individual figures taken on a shoot with the Ragged Victorians.
The first image is my attempt to make something a little different of it, hopefully that looks like an ink and water paint style. Your critique is welcome if you have the time.
I'll make this the last of these 'painterly' tests... (show quote)
I like the way the atmosphere shows in the first one. I feel the contrast in the second one might be a little too much.
That’s what I like with the first one Gaylord. I think I’ve come to terms with the second - probably through familiarity, it’s been around on my computer for quite a while. You know what they say about familiarity!! Thanks for your thoughts on it. I may use it for this year’s Christmas Card.
That’s what I like with the first one Gaylord. I think I’ve come to terms with the second - probably through familiarity, it’s been around on my computer for quite a while. You know what they say about familiarity!! Thanks for your thoughts on it. I may use it for this year’s Christmas Card.
*** I'm wondering how you would work this one into associating it with Christmas.
*** I'm wondering how you would work this one into associating it with Christmas.
Could pop a few presents in the lady’s basket, decorate the loco a bit, drape a bit of tinsel here and there, cheer up the old fella with the bag and write Merry Christmas large in top left blankish area? I did something similar last year with my Steampunk Special compo from way back - it was quite well received!
Oh, my! How delightful. I like the lighting on the second composite but even better I like the delicacy and fragile look to the first. Thank you for the explanation to Cany. You certainly have a lot of patience. We delight in your ability.
Oh, my! How delightful. I like the lighting on the second composite but even better I like the delicacy and fragile look to the first. Thank you for the explanation to Cany. You certainly have a lot of patience. We delight in your ability.
That’s a nice description of the first one Ellen, thank you. My mother told me patience is a virtue, and I am known for having some!🙄 After three weeks laid-up in a hospital bed (way back) the surgeon told me I was a very patient man - I thought that could be taken a couple of ways!
Rather spectacular! I prefer the first, perhaps, as someone said, for the atmosphere, but it isn't an easy choice. You mentioned adding a figure to the second; could you help this old coot see where that figure is?
Rather spectacular! I prefer the first, perhaps, as someone said, for the atmosphere, but it isn't an easy choice. You mentioned adding a figure to the second; could you help this old coot see where that figure is?
I'll make this the last of these 'painterly' tests for a while, don't want to bore you! The second image has appeared here a couple of years back in its original form. This one was modified after receiving critique and also had a figure added. Needless to say it's a composite, all individual figures taken on a shoot with the Ragged Victorians.
The first image is my attempt to make something a little different of it, hopefully that looks like an ink and water paint style. Your critique is welcome if you have the time.
I'll make this the last of these 'painterly' tests... (show quote)
Definitely not bored. Both of these are spectacular. The first is my favorite also. I don't know why; but it is. Erich