Fleckrc wrote:
I am looking for any advice for creating a photo club for kids, curriculum, etc. I'm a retired educator and have enjoyed photography for many years. I belong to two photography organizations. I have introduced all of my grandchildren to photography. I recently hosted a photography activity at the local library and 20 kids attended! I would like start a club for junior photographers and am seeking your ideas. Thank you!
This is an impatient generation, quite often with the attention spans of gnats. So expect them to be distracted quite easily. Meet them where they want to be: using smartphones. That's where you can teach composition, lighting, perspective, point of view, moment, angle, and all the other things that make images interesting to look at.
The more advanced technical aspects of exposure, lens selection, adjustable camera techniques, and accessories will be intimidating for kids until they get hooked on image making. But once they see what can be done with adjustable cameras and interchangeable lens cameras, some of them will want to ditch their phones and use "dedicated cameras."
I've said it for 20 years, now... We live in a digital world. There is a myth that one must learn film photography first. That's complete nonsense, and complete frustration for those who will never buy a film camera. Film certainly can be fun and "arty," but the vast majority of young photographers don't want to use film at all. So plan accordingly.
If you want to teach film photography, don't make it a requirement! Make it an optional, "advanced" course. It will have enough intrigue to attract the right people who won't lose patience or attention to detail.
You can teach advanced photography with film or digital cameras, and teach it exactly the same way in each case. I haven't seen a digital SLR or mirrorless yet that can't be stripped down/dumbed down to work like a Nikon FTn or Canon FTb or Pentax Spotmatic. They all have manual modes. You can teach manual exposure methods, and still get to all the advanced modes and reasons to automate things.
Remember that every control on every camera was put there for a reason. Don't make fun of any of them. Teach them all in their intended contexts. For instance, raw capture is better than JPEG capture for a long list of reasons, but JPEG capture is better than raw capture, for a *completely different* set of reasons. Knowing when to choose one workflow or the other (or both!) is important.
Most important to the successful photographer is knowing what a good photograph looks like. We learn that by seeing thousands and thousands of great images, and emulating the techniques that made them. Developing an "eye" for scene capture and subsequent refinement in post production is important. So help kids make study of exhibits, books, websites, magazines, and other photo presentations a good habit. They can train their eyes a lot, just by watching great movies and PBS serial dramas.
Above all, don't be afraid to stretch and challenge, but keep it positive.