User ID wrote:
Likewise ... even more so.
As many others have said, and shown in linked test results, it all really depends on the quality of your zoom lenses.
Take Sony for example: Sony's latest 70-200mm f2.8 GM II, and 24-70mm f2.8 GM II lenses both test as sharp as the best Sony GM Prime lenses at the same focal lengths. And these modern Sony zooms have excellent micro contrast, color rendition, low to no CA or distortion, excellent flare resistance etc., same as the best Sony GM primes.
https://sonyalpha.blog/2019/11/10/which-lenses-to-maximise-the-potential-of-the-sony-a7riv/There have been major advances in optical design and the best of the latest zooms are NOT your father's zooms, LOL. Overall primes may still generally have wider max apertures, but as Canon's RF 28-70mm f2 has shown, even that zoom max aperture barrier is now being overcome.
As a working professional, yes I have both top quality prime lenses and top quality zoom lenses in my kit, and I use them interchangeably as the needs of my photographic jobs dictates. I make my living giving my clients the best image quality I can, and that I deliver with both my top primes and my top zooms. I love and use my zooms as much as I love and use my primes.
Of course not all primes are created equal, and yes not all zooms are created equal either. But times are changing folks. and what was seemingly a rule about the unquestioned superiority of primes vs zooms is no longer an absolute truth anymore.
I hope you all get the opportunity to try some of the best latest top zooms and see for yourself what is the new reality.
In the meantime use what you like and be happy, primes or zooms, or a combo of both.
There is not a fellow pro that I personally know, or I bet a staffer of the top news services in the world that isn't using the best zooms alongside their best primes. Zooms versatility is now being matched with the best zooms' excellent image quality.
I know many AP staffers, as I used to shoot for them, and the kits of Sony gear that each staffer of Associated Press around the world got included the best of Sony primes AND Sony zooms. AP staff still photographers and staff videographers worldwide, exclusively use Sony Mirrorless gear, as does Canadian Press, UK Press and all Gannett media including USA Today. AFP (Agence France Presse) exclusively uses Nikon Z-mount gear and lenses for all their staffers worldwide.
1) A zoom shot of a Snowy Egret taking off from its watery perch on the Caribbean island of Sint Maarten/St. Martin . Sony A1, Sony 200-600mm zoom lens, 319mm, ISO 1600, f6.3, 1/4000 sec. handheld, all natural light..
2-3) A zoom shot of a Great White Egret bending its neck to clean it's feathers on the Caribbean island of Sint Maarten/St. Martin . First the full frame, then a tight crop from the same shot. Sony A1, Sony 200-600mm zoom lens, 591mm, ISO 1600, f6.3, 1/2000 sec, handheld, all natural light.
4) A zoom shot that was chosen as a Worldwide Photo of the Week by Sony Alpha Photographers in 2021. Environmental Scientist Brook H. in a slot canyon near Upper Antelope Canyon, Navajo lands, Page, Arizona, USA. Sony A9, Sony 24-105mm f4 G OSS zoom lens, 24mm, ISO 400, f4, 1/30 sec. handheld, all natural light.
Click on download to see better image quality.
Cheers and best to you all .