rehess wrote:
Are there ‘non- destructive’ editors which operate on JPG files??? The only ones I have seen operate on ‘raw’ files.
Lightroom Classic will preserve your original files, NO MATTER WHAT THE FORMAT. Only when you export, print, send to web, or make a book or slide show is the image converted using the changes you make in Adobe Camera Raw, the engine of the Develop module in Lightroom Classic (LrC).
When you "Import" a file into LrC,
it stays where you put it before or during the import. LrC gives you a choice.
When you "Develop" an image from that file, Lightroom creates a PROXY of the original for display, and applies your changes to the proxy as you work, so you can see them on your calibrated and custom ICC-profiled monitor. At the same time, it automatically saves the "instructions" to make all those changes into its "catalog," (a database). It may, optionally, save those same change instructions to a "sidecar" file. That file can be used in Photoshop with your original.
When you export, print, send to web, or make a book or slide show from LrC, the image is finally produced for use at whatever pixel resolution and dimensional size you specify, and with the ICC profile and the file format you specify if exporting.
INTERNALLY in LrC, no matter what file type you started with, it is converted to a high bit depth file (16-bits) and a wide gamut color space such as ProPhoto RGB. This allows maximum smoothness to gradients like blue sky, and shadow edges in portraits. LrC applies all editing changes and color gamut conversions when the file leaves LrC.
Your original is NEVER changed in LrC. It is copied, altered, and then exported, or printed, or sent to the web, or made into a book or presented as a slide show.
To those of you who say there is no benefit to converting from JPEG to TIFF, I ask, "Why does every advanced parametric editing tool do essentially that, behind the scenes?" If you are not using Lightroom Classic, Kodak DP2 lab software, or some other completely non-destructive editor, then you can MANUALLY create the same sort of process as I outlined in an earlier post here.
What this will not do:You cannot use this process to "add back" any detail or brightness information that was not in the JPEG (or other type of file).
If the camera threw it away or could not stuff tonal information into a raw file because it was not in the exposure, you won't be able to fix that. But if a JPEG file requires subtle exposure and MINOR white balance adjustments to make it look better, LrC or Adobe Camera Raw in Photoshop or Bridge can do a great job of that.