Fred F wrote:
This is exactly right.
The "reductio ad absurdum" that an infinitely small sensor would be best is actually true - IF pixels could be infinitely small and packed together, and only for an infinitely small image.
In real life, I understand that IQ degrades if the pixels are too tightly packed, so there's a limit.
Yes there are limits. There's a slew of qualifiers that can impact the outcome from resolution of the lens/sensor to diffraction limits which vary over sensor size.
Fred F wrote:
But the basic point is that the same # of pixels packed into the smaller area of the DX, when enlarged to that of the FX w/the same # of pixels, gives a higher resolution over the area (albeit smaller) it does cover.
Right. Putting more pixels on the subject stands a good chance of handing you an advantage. Is it possible it won't? Sure, but it's likely it will. Not sure? Don't know your lens's resolution? Easy enough to test visually if you have the cameras.
Here's an example:
Caveat: I'm not a wildlife/bird photographer so I don't have those long lenses. But I do have some very good lenses and although I don't know their tested resolution I'm pretty confident in their ability. So here's a test using two 24 mp camera bodies (Leica SL -- FX and Fuji X-T2 -- DX) and a 75mm lens (Leitz Apo-Summicron-M 75 mm f/2.0 Asph) that I think is up to the task.
Assuming that the 75mm lens is not long enough for the subject, and we don't have a longer lens, and we can't move the camera closer, our
two options are 1. to crop the FX image in post or 2. put the same lens on a DX body which, given the same 24 mp sensor resolution of both bodies, will put more pixels on the subject and should provide an advantage over cropping the FX sensor image. Does it work in practice and do we get an advantage using the DX sensor body? Absolutely.
First illustration below are the two uncropped images from each camera (reference).
Second illustration below is our two options: 1. the FX sensor image enlarged in post, and 2. The DX sensor image at full-res.
I have a clearer, more detailed, sharper image from the DX camera because I'm putting more pixels on the subject.Methodolgy: I started with the 75mm lens on the FX camera with the camera on a tripod. I focused very carefully on the spring in the hand pruner. I stopped the lens down to f/5.6 and took the photo (ISO 200). I then transferred the lens to the DX body and placed that on the tripod which I was careful not to move. I focused very carefully on the spring in the hand pruner. I stopped the lens down to f/5.6 and took the photo (ISO 200).
JPEG processing between the two cameras is a factor and so I took the raw files into Capture One and treated them both the same to create TIFF files. I loaded the TIFF file from the FX camera into Photoshop and used Image Size to increase it by 1.5X (bilinear) -- then created the side by side comparison.